Chaos And Creation In The Back Yard

плин! Вроде зарегистрировался, а войти не могу.
Может уже можно в медиа архив выложить?

2Валрус
ну я так и не смог скачать их оттуда..наверно потому что ламер,но я всё ж думаю у создателей была цель запретить скачивание.
не уж то так трудно зайти и зарегистрироваться и слушать слушать слушать)))?

Зы:Промис ту ю гёл ...что-то от квин там есть...особенно во вступлении...

Jenny Wren и Promise To You Girl — в Медиа-архиве!

Enjoy...

P.S. С "Дженни" улетел в далекий аут... и не хочу возвращаться!
P.P.S. Маккартни правильно питается. Ну, в смысле, ест.

2BassPaul:

>СУПЕР!!!!!!!!
>Я просто в восторге!"Дженни Рен это шедевр...Клип
>супер)))Идея Комин ап просматривается где Порл
>на всех инструментах!Чую этот альбом будет ЛУЧШИМ
>у МАККИ!!!!!!!!!!!!

Песен я не слышал (специально-чтобы больше был кайф,когда куплю альбом.Традиция),но очень охотно верю. Это так круто! А еще же ведь будет новый "Стоунз"-по слухам,тоже альбомчик будет шикарнейший. Ураганная осень нас ожидает! Наконец-то,прорвало!

2Никки
Ты тож))от Дженни прешся)))СУПЕРСКАЯ ПЕСНЯ!!!!!!ААААААААААААААААААААААА!!!!!!!!!!!!!!!
Я СЧАААСТЛИВ!!!!!!!!!!!!

:Nicky de Gree

Где же они? Нет их там!

2Walrus:

>:Nicky de Gree
>Где же они? Нет их там!

Определенно есть! ;)
Гляньте, например, выпадающее меню в верхней части вот этой страницы с темой...

2Nicky de Gree:

Медиа-архив чуток упал видимо, у меня и по ftp туда не заходит...

Да, медиа-архив не пашет, вчера ещё всё нормкально было

August 23, 2005 -- NME (latest issue)

Macca teams up with Radiohead man for new album

Paul McCartney tells NME about making his best record in years and hanging out with Franz and the Kaisers.

Paul McCartney has compared working on his new solo album to recording with The Beatles- and says having Radiohead producer Nigel Godrich on board is one of the reasons why.

Godrich, who, as well as working on Radiohead's classic "OK Computer", is famous for producing the likes of Beck and Travis, has produced McCartney's first studio album in four years, "Chaos and Creation in the Backyard", due out on September 13.

McCartney said the during the sessions for the album which followed last year's triumphant Glastonbury headline slot, Godrich forced him to work harder and challenged him in a similar way to that which his old Beatles bandmates John Lennon, George Harrison, and Ringo Starr used to.

He said: ' It was more like working with a band than a producer...it's pretty hard to live up to John and George. Working in a band like The Beatles, we had four votes, so if Ringo didn't like something John and I brought in, he got to vote it out. Which I suppose is very democratic. And in the same way, Nigel had that same vote.'

He continued: 'I've produced a lot of records, been on a lot of Beatles records, Wings records, on my own- I've had a lot of hits. He told me,"I just want to make a great album, and for it to be you." Once we got into the studio, and were playing head to head on a couple of songs that I thought of as good and he didn't, I immediately thought of firing him. I just thought, "I don't have to take this". But then I told myself, "That's the point, this is why you're working with him"'.

As the relationship developed, McCartney started to take Godrich's advice on board. He continued: 'He'd be like, "Look, I've got to tell you that I don't like this", and I said, "What don't you like about it?" He'd say, "You've done better than that." In the end I started to value that, it's what I need. We kept the standard up that way, but we had out moments'.

The former Beatle told NME that despit being 63 years old, he enjoyed headlining Glastonbury 2004 and is going to this year's NME awards in February - especially as it gave him the chnace to meet new bands, with Kaiser Chiefs, Franz Ferdinand, and Coldplay particular favourites.

He told NME: 'There's this kind of respect thing that was a bit surprising for me, 'cos you could understand id young bands just went, "Forget it, not relevant to today." But I'm quite pleased to see that a lot of the young bands relate to a lot of what we did. Getting an NME Award, that was really cool because it got me among all these other bands who I hadn't had a chance to see. Franz Ferdinand, the Kaiser Chiefs, a lot of the other bands who were getting awards that night - that was a really good feeling. I definitely felt part of it. Not the young end of it, but a part of it.'

The Wisdom of Paul McCartney

On missing John and George

"When you look back at The Beatles' sessions, they seemed like fun or otherwise I wouldn't have continued with them. But then when you look back in greater detail you think, 'Wait a minute, what about that raving argument I had with John and that argument I had with George?' And now, because they've gone, you think, 'How could I do that?' Suddenly it's too late to pull your words back. But you know why you did it - because you didn't bloody agree with what he was saying and he didn't agree with what you were saying. But we had a really great time. In the end there were aguments about whose amp was louder than the other's. George and John were always arguing, one would go away and the other would sneak back and turn his amp up a bit. Then the other one would come back and change it, all the engineers kept pulling it back.'

On Pete Doherty

'I know his reputation is the drugs thing. He wouldn't be the first person I knew who had that kind of repiutation and , nearly always, the guys who I knew who got really heavy into this were real sweethearts. Quite good, really cool people, just had over-indulgence as part of their make-up. It doesn't mean to say they are all bad. I don't want to give him any fatherly advice (puts on voice) as long as he looks after himself and gets plenty of sleep!'

On new bands being influenced by The Beatles

'I hear references in lots of people's songs and it's really lovely. It's a great feeling- after all this time there are still kids trying to look like we looked. The gear, the hair, the clothes. I was with Bono at Live8 and he said, "Man, The Beatles were the Big Bang", and I do get a feeling of that. We certainly started something and there's a lot of really good live bands now continuing it.'

Macca's new album - his verdict

Fine Line

It's about this idea, really smart people and nutters...there's a very fine line between them. Things that are opposite come together, so be careful to choose the one you really want. It could tip over into the one you don't want.

How Kind of You

I brought Nigel How Kind of You as a jangly acoustic thing. I got interested in older posh English people, a lady I'm thinking of, just a neighbor, who's always putting herself down. I just noticed how shee and other people like her talk. I realized they use different language.

Jenny Wren

It's based on Blackbird (from The Beatles White Album), the Blackbird guitar style. You know, the false finger picking thing. I can't do that thing like John does on Julia. This idea originally came from a little thing George(Harrison) and I used to do when we were kids.

Riding to Vanity Fair

It's about people who reject friendship, and I've had it from time to time. It's a way to get back at those people. You do it in a song, you satisfy yourself that you've said it. So in one song you're saying it to all the people who were ever like that. They may not know they're the ones you're trying to reach, but it's better than going around bitching to everyone.

Unofficial Lyrics

PROMISE TO YOU GIRL (Paul McCartney)

Looking through the backyard of my life
Time to sweep the fallen leaves away

(Chorus - harmonies)
Like the sun that rises every day
We can (chase) the dark clouds from the sky

I gave my promise to you girl, I don't wanna take it back
You and me side by side, We know how to change the world
That is why, I gave my promise to you girl

Hey why wait another day, that won't get us anywhere
All the time, that ain't changed, to repair this brave old world
We'll be up, I gave my promise to you girl

(Chorus - harmonies)
Everything single second of our lives
We can use to chase the clouds away

(Guitar Solo)

Well, there's no more barking up the tree, no more howling at the moon
Same old scene, you and I, (diving) for the secret trust
That is why, I gave my promise to you girl

(Chorus - guitar)

(Chorus - oh woh)

Looking through the backyard of my life
Time to sweep the fallen leaves away

JENNY WREN (Paul McCartney)

Like so many girls, Jenny Wren could sing
But a broken heart, took her soul away

Like the other girls, Jenny Wren took wing
She could see the world, and it's foolish ways

How, we, spend our days, casting, love aside
(losing, sight of life), day, by, day

She saw poverty, breaking all the home
Wounded warriors, took her song away

(solo) verse, chorus

But the day will come, Jenny Wren will sing
When this broken world, mends its foolish ways

(do) we spend our days, catching up on life
(all because of you), Jenny Wren

You saw who we are, Jenny Wren

Вопрос тем,кто уже слышал новые песни: какой у них звук-опять современный "металлический",как на Driving Rain,или старый битловский,"теплый".

2Занг
я бы сказал так:Звук в лучших битловских Флэминг паевских традициях!Просто на редкость теплый,романтический и красивый...

Мое первое впечатление - звук прост, но со вкусом. Однако несколько более вычурен, чем на Flaming Pie, хоть и при тех же средствах... Лично мне эта легкая "вычурность" очень понравилась. Та приправа, которой Flaming Pie, возможно, не хватало.

С другой стороны, несколько настораживает (кажущаяся?) мелодическая бедноватость Promise To You Girl, Fine Line и Comfort Of Love.

Вообще, несколько скачиваний из МА прошло.
Попробуйте еща раз - поправил кое-что...

2BassPaul:

>2Занг
>я бы сказал так:Звук в лучших битловских Флэминг
>паевских традициях!Просто на редкость теплый,романтический
>и красивый...


И это здорово! Я,честно говоря,побаивался,что Пол опять поддастся искушению сделать на альбоме "современный саунд",который я лично терпеть не могу. Тем более что работает он с продюссером Radiohead. Driving Rain,конечно,"саундом" не испрочен (как Пол вообще может что-то испортить?),но если новая пластинка и правда будет звучать как "Off The Ground" или "Flamming Pie",то я буду рад вдвойне. Я же говорил-рано хоронили Пола. Driving Rain,как и Press To Play в свое время,был альбомом скорее экспериментальным. А теперь это снова будет классический Маккартни!

Nicky de Gree:

Ну вот, огромное спасибо!
Все, нашел и скачал. Час слушать буду :)

Послушал! Мнение:
'Jenny' - очень красивая, нежная, личная (что-то вроде Dear Friend). Слушать лучше в одиночестве, с выключеченным светом или с закрытыми глазами. Мелодия не четкая, но в этом то и вся прелесть. Ее нужно слушать очень много раз, и может быть, только после 30-го, вы полностью запомните мелодию.
Можно найти некоторое сходство с Blackbird и Put It There.
'Promise' - никакой мелодии, ниже среднего, проходная вещичка.

Ха! Действительно, ЧАС!
Щесно слово, не специально!!! :)

2Валрус
В Дженни такие повороты мелодии есть что прой кажесться что Пол толи в ноту не попадает то ли аккорд тупой совсем не в тему,но от этого она только лучше)))Я ж говорю завернул он её)))А Файн Лайн всё больше и больше в душу заподает!вроде простенькая а как прицепилась так весь день напеваю)))