Blues

лежит и у меня дома некий виниловый раритет....там даже вкладка в конверт пожелтевшая с анонсами релизов сохранилась.

Дааа, знатная пластиночка 71-й, если не ошибаюсь....
Кста, как зовут "тузика"? Допустим, хозяин голоса на пластинке и собаки Эдиссон... :))))
Что-нидь известно про "Му-Му"? :)))

Боб, а "Бесконечное буги" у тебя обе пластиночки? Вроде, двойник должон быть...

2Кот Котофеич:
Точно! Ниппером, вспомнил...(хорошо не Ниггером :/) А за историю собачки, гран-мерси....Оч. интересно.

2john lee hooker:

>Боб, а "Бесконечное буги" у тебя обе пластиночки?
>Вроде, двойник должон быть...

Да, Джон, это двойник

2john lee hooker:

>Дааа, знатная пластиночка 71-й, если не ошибаюсь....

Действительно буги, и действительно бесконечное. А собрал он на запись народ тоже нехилый:
Steve Miller
Dan Alexander
Jesse Davis
Mel Brown...

В этой теме, просто непорядок! Забыт Фредди Кинг...

FreddieKing

(Born Freddie Christian)

September 3, 1934 - December 28, 1976
Birthplace: Gilmer, Texas

Freddie King (no relation to any of the other blues guitaristsnamed King) was one of the lynchpins of modern blues guitar.Along with Otis Rush, Buddy Guy, and MagicSam, King spearheaded Chicago's modern blues movement in theearly '60s and helped set the stage for the blues-rock boom ofthe late '60s. His influence on such blues-rock titans as Eric Clapton helped preserve alegacy characterized by searing, aggressive guitar solos and thewelding of blues and rock into one cohesive sound.

Although Freddie King was born and raised in Texas, he matured asa musician in Chicago. His guitar style combined country andurban influences. As a child, King grew up on the music of suchlegendary country blues guitarists as Blind Lemon Jefferson, Lightnin' Hopkins, and Arthur "Big Boy"Crudup. After he and his family moved to Chicago in 1950,King began hanging out in clubs where the stinging, city-hotguitar work of such Mississippi Delta-rooted blues men as Muddy Waters, Jimmy Rogers, andEddie Taylor filled the air.

Though he first recorded in the 1950s-cutting sides for theobscure El-Bee label and doing a few session dates for Chess,King didn't begin to attract attention until after he signed withFederal Records in 1960. (Federal was a subsidiary of theCincinnati-based King Record label.) Under the guidance ofpianist and King Records A&R man Sonny Thompson, King'searly-'60s sessions resulted in such stellar tunes as"Lonesome Whistle Blues" and "I'm Tore Down" (116 k, 10sec.) as well as a potent rendition of the Bill Myles classic"Have You Ever Loved a Woman." (Eric Clapton did a version of thesong during his Derek and the Dominos days.) In 1994, Clapton cuthis own version of "I'mTore Down"(114 k, 10 sec.) with remarkableresembence to Freddy's original.

King also recorded numerous instrumentals in the early '60s. Onesong, "Hide Away," reached number 29 on the Billboardpop charts in 1961 and ranks among the most popular bluesinstrumentals ever recorded. Named for Mel's Hideaway Lounge, anoted Chicago blues club, the song showcased King's guitarprowess and inventiveness in combining catchy themes drawn fromblues, rock, and rhythm & blues. Thanks to the popularity oftwangy guitar instrumentals in the early '60s, King was able tomove freely from blues to R&B to rock-flavored blues andnovelty songs like "Bossa Nova Watusi Twist,""Monkey Donkey," and "Surf Monkey."

King's relationship with Federal/King ended in 1968. Although King's most productive period was over, he enjoyed a renaissanceof sorts in the late '60s when English blues-rock guitarists suchas Clapton, Mick Taylor, and Peter Green began covering Kingtunes and incorporating elements of his guitar style into theirown. This brought King renewed recognition and a growing audienceamong blues-rock fans, plus new recording contract in 1968 withCotillion, a subsidiary of Atlantic Records. Two years later Kingjumped to Shelter Records. His last recording contract was withRSO Records in 1974. Though the bulk of King's blues from thisera leaned heavily toward funk and rock, his guitar work remainedstylish and supple.

King was only forty-two years old when he died in 1976 ofbleeding ulcers and heart failure.

Дискография с бутлегами...

1961 Let's Hide Away and Dance Away with Freddy King
1962 Bossa Nova & Blues
1962 Boy Girl Boy
1963 A Bonanza of Instrumentals
1963 Freddie King Goes Surfin'
1965 Gives You a Bonanza of Instrumentals
1966 Vocals & Instrumentals: 24 Great Songs
1969 Freddie King Is a Blues Master
1969 Hide Away
1969 The King of R&B, Vol. 2
1970 My Feeling for the Blues
1972 Texas Cannonball
1973 Woman Across the River
1974 Burglar
1975 Larger Than Life
1976 The Rest of Freddie King
1983 Rockin' Blues Live
1985 Takin' Care of Business
1988 Live in Antibes, 1974
1992 Live at the Texas Opry House
1994 The !!!!Beat [Video]
1995 Key to the Highway
1995 Live at Liberty Hall
1995 Live in Germany
1995 Mojo Blues
1995 Palace of the King
1996 Getting Ready
1996 Live at the Electric Ballroom, 1974
1996 Original Blues Guitar
1998 Texas Flyer
1999 Live
1999 Live in Concert
2000 Your Move
2002 Texas Cannonball [Bonus Tracks]
2003 Freddie King Live: Texas and Oklahoma Club Dates 1975
2003 Sings
2004 Are You Ready for Freddie

Twenty - Robert Cray
May 24, 2005 (US)

Track Listings
1. Poor Johnny
2. That Ain't Love
3. Does It Really Matter
4. Fadin' Away
5. My Last Regret
6. It Doesn't Show
7. I'm Walkin'
8. Twenty
9. I Know You Will
10. I Forgot to Be Your Lover
11. Two Steps from the End

2Primal Scream:
GREAT!!!!!!!!!!!!
Я это ОЧЕНЬ жду!

2SergeK:

>2Primal Scream:
>GREAT!!!!!!!!!!!!
>Я это ОЧЕНЬ жду!

"Twenty". Неужели уже 20-й альбом?

Неееееееет.......


May 24, 2005
Twenty

2003
Time Will Tell

2002
The Best of Robert Cray
The Millennium Collection

2001
Shoulda Been Home

1999
Heavy Picks - The Robert Cray Band Collection

1999
Take Your Shoes Off

1997
Sweet Potato Pie

1995
Some Rainy Morning

1993
Shame + A Sin

1992
I Was Warned

1990
Midnight Stroll

1988
Don't Be Afraid Of The Dark

1986
Strong Persuader

1985
False Accusations

1983
Bad Influence

1978
Who's Been Talkin'

Вот и я думаю, что не может такого быть. Тогда почему "20"?

Надо будет тексты посмотреть...

Вот пресс-релиз http://www.rosebudus.com/cray/Twenty.html

Выяснил, почему "Twenty". Это по названию одной из песен о 20-летнем парне, отправляющемуся воевать в Ирак.

Twenty, ironically, is not the Robert Cray band's 20th album but rather its 14th. The album derives its title from the title track "Twenty," an honest and pointed commentary on the U.S. war in Iraq.

"The song is about a innocent young guy, who, after the events of 9/11, wants to do his part for his country," Cray explains. "He doesn't know he's going to end up in Iraq, watching the horror that's going on thereŠand he ends up losing his life. It's a subject that needs to be spoken about and is in some ways, a continuation from one of the songs we did on the last album (the cut "Distant Shores" on the 2003 Sanctuary album Time Will Tell," he explains.

http://www.staticmultimedia.com/content/music/news/news_1113319807

А знает ли кто нибудь о человеке по имени David Gogo? Прям очень мне понравился!Хотелось бы побольше узнать...

кстати,кто на безлимитке-http://www.live365.com/stations/electricblues очень недурное инет радио

2stargazer:

>David Gogo

Blues guitarist David Gogo was born in Nanaimo, British Columbia, and received his first guitar at the age of five (having been given a ukulele the year before). He honed his skills for the next decade and, by the age of 16, he was gaining work as a professional musician. Inspired by a meeting with Stevie Ray Vaughan, Gogo became even more committed, forming a the Persuaders, which went from a post-high school band to one that was soon opening for acts like Johnny Winter, Buddy Guy, and Albert Collins. Following a stint in Europe which found the Persuaders opening for the Fabulous Thunderbirds, Gogo signed a solo deal with EMI Records. While writing material for his debut, Gogo managed to find time to appear on Tom Cochrane's highly successful Mad Mad World album. When David Gogo arrived in 1994, it was a critical success and Gogo earned a Juno nomination. However, due to shifting label personnel, the record was not given a U.S. release and Gogo was being pressured to pursue a more commercial route. Choosing to strike out on his own, Gogo released Dine Under the Stars, which had been recorded live in his hometown, on his own. A distribution deal in France led to a record deal with Canadian independent label Cordova Bay and the subsequent release of Change of Pace, a more rock-oriented affair, and the acoustic Bare Bones, which was a return to his blues roots. In 2002, Gogo issued his fifth album, Skeleton Key, which combined both electric and acoustic arrangements as well as a mixture of original material and covers of songs by artists like Stevie Wonder and Depeche Mode.

подробнее на
www.davidgogo.org
на фото Дэвид со SRV & DT

2 john lee hooker Спасибо,Родное Сердце!Вот если бы еще перевод статьи...и благодарность моя не будет иметь границ!То то я смортрю манера игры как у Стиви...

Re: Blues
Автор: SergeK Дата: 01.05.05 14:35:31

>В этой теме, просто непорядок! Забыт Фредди Кинг...

Уважаемый Сергей, забыть Фредди, всё равно, шо забыть своё славное имя :)))
Ваш
JLH