Allman Brothers band

Про Форда я говорил со взглядом на его манеру на концертнике с ВИТЕРСПУНОМ и то, что потом с ним стало :)

2SergeK:

>Про Форда я говорил со взглядом на его манеру
>на концертнике с ВИТЕРСПУНОМ и то, что потом с
>ним стало :)
Ну так потом он стал сам сусам в блюзе,а не аккомпаниатор:-)).Мне он нравится как гитарист (его звук и техника особенно),а не блюзмен.Его голос многое портит.Но в последнем живом блюзовом альбоме The Ford Brothers " Center Stage" всё очень хорошо.

2papan:
Мне он ТАМ нравится, как гитарист!

Allman Brothers (Dreams with sync audio from 1970)


The Allman Brothers Band - Whipping Post 1970


The Allman Brothers Band - Dreams 1969

Dickey Betts - The Very Best Of 1973-1988: Bougainvillea's Call
release on 04/09/2006

Long Time Ago
Rain
Highway Call
Let Nature Sing
Ramblin' Man (The Allman Brothers Band)
No Hard Times (Live)
Out To Get Me
Run Gypsy Run
Sweet Virginia
Bougainvillea
Sweet Mama (Live With Charlie Daniels)
Atlanta's Burning Down
Leavin' Me Again
Back On The Road Again
Dealin' With The Devil
Rock Bottom
Duane's Tune

Skydog: The Duane Allman Story (Hardcover)
by Randy Poe, Billy F. Gibbons (Foreword)

Hardcover: 320 pages
Publisher: Backbeat Books (October 1, 2006)
Language: English
ISBN: 0879308915

Нашел наконец в своих развалах, присланый английским другом ВидеоСД Оллманов в Филлморе, еще с Дуэйном...

Честно говоря... Современные, это не то абсолютно! Там действительно гениальная команда была!

Дуэйн - супер человек...

35 years after his death, Skydog still among rock's very best guitarists

By Michael Ventre
MSNBC contributor
Updated: 9:43 a.m. ET Oct. 30, 2006
No matter what the circumstances, deaths in the world of rock and roll tend to become romanticized over the years. It has less to do with the tragedy itself than it does with the warm memories that the music of the artists in question have continued to provide, and the sharp reality that there will be no more such music on the way.

What creative frontiers would Jimi Hendrix have explored if he lived beyond the age of 27? Where would Janis Joplin’s music have taken her if she didn’t pass away at 26? Exactly how would we have been entertained if Jim Morrison, Jeff and Tim Buckley, John Lennon, Freddie Mercury, John Bonham, Sid Vicious, Keith Moon, Stevie Ray Vaughn, Otis Redding, Berry Oakley, Kurt Cobain, Bob Marley, Gram Parsons and Frank Zappa, as well as many others, had been allowed to hang around a little while longer?

Outside of niches occupied by guitar fanatics and Southern blues-rock devotees, the name Duane Allman is often ignored. He wasn’t flamboyant. He didn’t live the stereotypical life of rock and roll excess. His most notable work came either as a session player for other artists, or as an unassuming member of a band he co-founded with his brother Gregg. And he is probably recognized the most for his work on the slide guitar, practically a lost art today.

Yet Duane Allman — who died about a month shy of his 25th birthday, on October 29, 1971, 35 years ago — was one of the most influential guitar players of his generation. His untimely passing in a motorcycle accident only a few months after the release of the now classic album, “The Allman Brothers at Fillmore East,” was as much of a blow to the world of rock as any of the aforementioned icons.

Man on a mission
The blues represents the fertile ground from which rock sprouted, and Duane Allman was on a mission from an early age to become a respected part of a tradition that included guitarists like Robert Johnson, Muddy Waters and B.B. King. He first grabbed a guitar at the age of 13, got an electric guitar from his mother on his 14th birthday and became entranced.

Eventually he was discovered by the owner of a recording studio in Muscle Shoals, Ala., which led to a full-time gig playing for other artists. But it also allowed Duane to be discovered by more prominent members of the rock world, including Eric Clapton, who heard him wail at the end of Wilson Pickett’s cover of “Hey Jude” and just had to meet him.

Clapton and Duane Allman met up and played together in the studio after the Allman Brothers Band performed a show in Miami in 1970. That led to their collaboration in the seminal Derek and the Dominos’ album, “Layla.” The bond between Slowhand and Skydog became so strong that Clapton asked him to become a permanent member of his band. Of course, the bond between brothers proved to be stronger, and Duane politely turned down the invitation.

Who is rock's all-time best guitarist?



While Clapton is exceptionally good on “Layla,” Duane Allman’s slide transformed the album from an earnest homage to the blues that would provide filler during a lull in Clapton’s career into one of the landmark works of rock and roll.

The Allman Brothers Band and Derek and the Dominos both began to heat up in 1970, bringing Duane the attention he deserved. But it didn’t last long. Riding his motorcycle one day in Macon, he couldn’t swerve quickly enough to avoid a truck that had made a turn in front of him. He died a few hours after impact.

Clear and precise, like his playing
The memories of Duane Allman are clear and precise, just like his playing. There were few bells and whistles associated with him, no fuzz or tremelo effects to enhance the natural sound of his Gibson Les Paul. His picking was pure, much like that of the blues gods he emulated.

That unadulterated style reflected his personality. He was, by almost all accounts, a good-natured soul with a big heart and a carefree spirit. It seemed that whoever came into contact with Duane Allman liked him, although he wasn’t very tolerant of nonsense and especially media attention. He was a pleasant individual, but a forceful and intense presence as well.

Duane Allman wasn’t just a blues mimic. He developed his own Southern-fried rocking version of the blues. Fellow blues greats like Johnny Winter and Stevie Ray Vaughn — two Texans with generous splashes of Southern Comfort on their licks — became known more for the speed in which their hands picked and their fingers moved across the frets, although they are considered geniuses in their own rights.

Не из любви к субъекту, тока из уважения к papan'у...

Derek Trucks Interview - Guitarist 8/06 - Part I


Derek Trucks Interview - Guitarist 08/06 - Part II

2SergeK:

>Не из любви к субъекту, тока из уважения к papan'у...

Спасибо.Обязательно посмотрю.Но не знаю когда.Дома вырубили интернет,а на работе нет возможности.

Вот пришёл на обед,а интернет починили,так что посмотрел.Не скажу,что всё дословно понял (английский не совсем родной мне).Интересно конечно,но явно это не всё.

2papan:
>явно это не всё
Если будет еще - добавлю!

Endless Highway - The Music Of The Band
Various Artists

Audio CD (January 30, 2007)
Original Release Date: January 30, 2007

Track Listings
1. I Shall Be Released -- Jack Johnson
2. The Weight -- Lee Ann Womack
3. Makes No Difference -- My Morning Jacket
4. When I Paint My Masterpiece -- Josh Turner
5. Unfaithful Servant -- Roseanne Cash
6. Rockin' Chair -- Death Cab for Cutie
7. King Harvest -- Bruce Hornsby and the Noisemakers
8. Whispering Pines -- Jakob Dylan w/ Lizz Wright
9. Chest Fever -- Widespread Panic
10. Lookout Cleveland -- Jackie Greene
11. Wheel's on Fire -- Guester
12. Down on Cripple Creek -- Gomez
13. Stage Fright -- Steve Reynolds
14. Night They Drove Old Dixie Down -- Allman Bros. Band
15. Rag Mama Rag -- Blues Traveler
16. Life Is A Carnival -- Trevor Hall
17. Acadian Driftwood -- The Roches

The Band's highway actually ended in 1978 at The Last Waltz, with the departure of founding member, guitarist, and principal songwriter Robbie Robertson. Considered by many to be ground zero of the roots-and-Americana movement despite being four-fifths Canadian, their decade-long Robertson-led run produced a handful of undeniable classics and volumes of timeless and influential music. So it's somewhat surprising that no one has released a tribute album to this legendary group until now. But after listening to these 17 tracks, it's clear why. Even with the best of intentions, many of these versions fail to capture the emotion and intensity of the original performances. All but the UK's Gomez are American-based, yet with a few notable exceptions, the acts either mimic the Band's already archetypal arrangements or add nothing unique. Bruce Hornsby sings the lyrics of the touching "King Harvest" like he's reading them off cue cards, Guster zip through a chilly "This Wheel's on Fire" with little emotional attachment, and Jack Johnson's folksy "I Shall Be Released" squanders the song's gospel tendencies. The women fare far better, with Lee Ann Womack nailing the subtleties of "The Weight" in a lovely, nuanced country interpretation, the Roches' unplugged sisterly harmonies bringing a gorgeous and appropriate back-porch feel to "Acadian Driftwood," and Rosanne Cash turning in a tender and touching "The Unfaithful Servant." Jakob Dylan and Lizz Wright do justice to the sensitive "Whispering Pines" and rockers Widespread Panic, the Allman Brothers Band, and My Morning Jacket add appropriate Southern grit to their selections. Ultimately, though, these covers make you appreciate how flawlessly the Band realized their own music and provided consummate arrangements that cannot be improved on.

The Allman Brothers Band - One Way Out Recorded live at The Beacon Theatre, New York, New York on March 25-26, 2003.
Disc 1
--1: Statesboro Blues
--2: Don't Keep Me Wondering
--3: Midnight Rider
--4: Rockin' Horse
--5: Desdemona
--6: Trouble No More
--7: Wasted Words
--8: Good Morning Little School Girl
--9: Instrumental Illness
Disc 2
--1: Ain't Wastin' Time No More
--2: Come & Go Blues
--3: Woman Across The River
--4: Old Before My Time
--5: Every Hungry Woman
--6: High Cost Of Low Living
--7: Worried Down With The Blues
--8: Dreams
--9: Whippin' Post

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http://rapidshare.com/files/10241104/ut.part1.rar
http://rapidshare.com/files/10241241/ut.part2.rar
http://rapidshare.com/files/10241510/ut.part3.rar
http://rapidshare.com/files/10241544/ut.part4.rar

pw = posted_first_at_chocoreve

Полгода назад вышел альбом 30-летнего сына Грэгга Оллмана .Что-то общее можно найти с Мулами,Джо Бонамассой ,а порой самими Allman Brothers band:-).
Devon Allman's Honeytribe "Torch" ,Livewire Recordings 2006.

А на чем он играет?

Спасибо.

Кот Котофеич***
И от меня спасибо! Я на него случайно наткнулся на амазоне.