Мой винил

Ну Джефферсоном тут точно не пахнет. А чем?

2Wallrussian:

>А вот, побачь, что за диковина?

http://en.wikipedia.org/wiki/We_Built_This_City

2Wallrussian:

>Ну Джефферсоном тут точно не пахнет. А чем?

Не Jefferson, но все-таки Starship... ;))

In June 1984, Paul Kantner, the last remaining founding member of Jefferson Airplane, left Jefferson Starship, and then took legal action over the Jefferson Starship name against his former bandmates. Kantner settled out of court and signed an agreement that neither party would use the names "Jefferson" or "Airplane" unless all members of Jefferson Airplane, Inc. agreed to it (Bill Thompson, Paul Kantner, Grace Slick, Jorma Kaukonen, Jack Casady). The band briefly changed its name to "Starship Jefferson" while legal proceedings occurred, but ultimately the name was reduced to simply "Starship". Freiberg stayed with the band after the lawsuit and attended the first studio sessions for the next album. However, he became frustrated with the sessions because all the keyboard work in the studio was being done by Peter Wolf (who'd played on the sessions for Nuclear Furniture and briefly joined the band on the road for the followup tour) and that was the instrument Freiberg was supposed to be playing.[7] He left the band and the next album was finished with the five remaining members. In 1984, Gabriel Katona (who'd previously done stints in Rare Earth and Player) joined the band to play keyboards & saxophone on the road with them through the end of 1986.

The next album, Knee Deep in the Hoopla was released in October 1985 and scored two #1 hits. The first was "We Built This City", written by Bernie Taupin, Martin Page, Dennis Lambert, and Peter Wolf; the second was "Sara". No previous incarnation of the band had ever had a #1 hit. The album itself reached #7, went platinum, and spawned two more singles: "Tomorrow Doesn't Matter Tonight" (#26), and "Before I Go" (#68).

In 1987, "Nothing's Gonna Stop Us Now" was featured in the film Mannequin and hit #1, although only Slick and Thomas (plus Craig Chaquico's guitar solo) appeared on it. At that time, the song made Slick the oldest female vocalist to sing on a number-one Billboard Hot 100 hit, at the age of 47. She held this record until Cher broke it at the age of 52, in 1999 with "Believe".) The following year, the band's song "Wild Again" (which reached #73 on the Billboard singles chart) was used in the movie Cocktail.

By the time No Protection was released, bassist and keyboardist Peter Sears had left the band due to the commercial direction the music had taken. Sears went on to play keyboards with former Jefferson Airplane members, Jorma Kaukonen and Jack Casady in Hot Tuna for ten years. Starship's No Protection was not released until well after "Nothing's Gonna Stop Us Now" (its most popular single) had peaked on the charts, but still went gold; in addition to "Nothing's Gonna Stop Us Now" (#1), it featured the singles "It's Not Over ('Til It's Over)" (#9), and "Beat Patrol" (#46). The last song on the album, "Set The Night To Music", would later become a huge hit when re-recorded as a duet between Roberta Flack and Maxi Priest. For the No Protection tour, Brett Bloomfield was brought in to replace Sears and Mark Morgan was their new stage keyboardist.

Grace Slick left Starship in 1988, going on to join the reformed Jefferson Airplane, for one album in 1989, before announcing that she was retiring from music. Slick, then in her late forties, was becoming more self-conscious about her age. As Kantner, Sears and Freiberg had left the band, all the new and remaining members were more than a decade younger than her. To this day Grace maintains that old(er) people "don't belong on a rock and roll stage."[8]

With Slick's departure, Thomas became sole lead singer. The revamped lineup released Love Among the Cannibals in August 1989. On September 24 of that year while the band was in Scranton, Pennsylvania for a show, Donny Baldwin seriously injured Mickey Thomas in a fight.[9] Thomas was forced to undergo reconstructive facial surgery, and Baldwin was involuntarily dismissed from the team.

2Simon:

>2Wallrussian:
>>А вот, побачь, что за диковина?
>http://en.wikipedia.org/wiki/We_Built_This_City
>

М-да, спасибо. Что только с ним делать? К элтоновской коллекции присоединить что ль?

2Wallrussian:

>К элтоновской коллекции присоединить что ль?

А ты еще и Элтона собираешь???

на пост предыдущей страницы
любопытно, что на немецком ...in rock хорошо записана первая сторона, а вторая ужасно, с англией в точности наоборот.

2Simon:

>2Wallrussian:
>>К элтоновской коллекции присоединить что ль?
>А ты еще и Элтона собираешь???

Да не то чтоб собираю... Просто в процессе покупок-обменов отложился десяточек наиболее приятных альбомов 70-х годов. Продать - никто особо не горит желанием приобрести. А выкинуть жалко. Вот и лежат.

Оригинальное КЛУБНОЕ немецкое издание - 10"

Уважаемые господа. Не знает ли кто, как должен выглядеть ангийский первопресс диска Питера Хэммила "PH7"? Лейбл харизмовский еще розовый или уже голубой? И как матрицы отмаркированы?

Наконец-то нашел с синглом! Да еще абсолютный МИНТ!

Кримсонмания - RED,при сравнении с оригинальным CD по звуку победил CD.

Кримсонмания 2 - тут однозначная, и безоговорочная победа винила ....

Кримсонмания 3 - так-же авеликолепен по звуку

Кримсонмания 4 - прекрасно записанный концертник.

Очень хороший альбом полу-Зомби.....:)

Ознакомился с лучшим, буду собирать всё....

Сайд-проект Джерри Гарсии - по-мне так интересней Благодарных Мертвецов...

Супер-дебют, первые 3 альбома must-have.

Не мог пойти мимо виниловой версии этого альбома - при сравнении винил-cd боевая ничья, равнозначно.

Мимо этих "хулиганов" тоже не мог пройти - звук отличный... Не всё так плохо было с виниловыми релизами в начале 90-х.