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Strawberry fields forever

Тема: Битлз - Magical Mystery Tour (1967)

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Re: Strawberry fields forever
Автор: Expert   Дата: 19.01.07 12:25:31   
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А жаль. Не удосужились поставить нормальные камеры для съемки сюжета о съемке клипа. Разве что фоты остались. А жаль. Не удосужились поставить нормальные камеры для съемки сюжета о съемке клипа. Разве что фоты остались.
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Re: Strawberry fields forever
Автор: Expert   Дата: 19.01.07 12:30:50   
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The recording of the video clipThe recording of the video clip

Penny Lane and Strawberry Fields are two locations in Liverpool and for most people it appears as if it has been filmed on location. Nothing is less true. Both clips were produced by Suba Films, one of the two film companies of The Beatles. The director Peter Goldmann had been recommended by Klaus Voorman, a good friend of The Beatles from their Hamburg days, who also designed the REVOLVER LP cover in the sixties as well as the three ANTHOLOGY CD covers.
Peter Goldmann arrived in England in January 1967 and went on the lookout for the ideal location for the clips. He also visited the Abbey Road studios where he saw the group at work. Two locations were found. The first one was Knole Park, nearby Sevenoaks; this location is about 20 miles southeast from London. The park belongs to the National Trust. The recording of the clips started on 30 January 1967, beginning with 'Strawberry Fields Forever'. The first day, they worked in the evening, amongst others, the part near the old tree. The following day, The Beatles returned on location to complete the 'Strawberry Fields Forever' film. On 5 February 1967, The Beatles started with the clip for 'Penny Lane'. Notwithstanding the fact that this was purely about a part of Liverpool, The Beatles did not want to return to the City of their birth. The first recordings were made in Stratford in London's East End. It was here that the scenes with the horses and walks were shot, in and around Angel Lane. The recordings took place from 10 a.m. to 4 p.m. In order to give the impression that the clip was filmed in Liverpool, Peter Goldmann and his team went to Liverpool without The Beatles in order to film part of the local landmarks such as the famous bus shelter and the barber shop.
On 7 February 1967, The Beatles returned to Knole Park to complete the 'Penny Lane' film. Once the work on the clip which was filmed in 35 mm, was finished, it could be distributed to the television stations all over the world. In The United States it was transmitted in color but in The United Kingdom it was first shown in black and white. The clip's premiere, with only 1.10 minutes, was broadcast in the ВВС program 'Juke Box Jury' on 11 February 1967. In The United States, the clip's premiere was on 25 February 1967 in the ABC program 'The Hollywood Palace'. After all the work that went into this single it would be the first time for years that a Beatles single did not reach number one in the British singles charts.
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Re: Strawberry fields forever
Автор: Expert   Дата: 19.01.07 12:35:51   
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Ну а это уже, судя по одежде, Penny Lane. Не знаю как называются эти красные короткие пальтишки на битлазах. И видимо толпа народу поодаль это фотографы? Ну а это уже, судя по одежде, Penny Lane. Не знаю как называются эти красные короткие пальтишки на битлазах. И видимо толпа народу поодаль это фотографы?
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Re: Strawberry fields forever
Автор: темир   Дата: 21.03.07 19:11:50   
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Стас я вот последняя время все слушаю все треки, и на мой взгляд зря они бэквокал убрали
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Re: Strawberry fields forever
Автор: Expert   Дата: 31.03.07 14:57:55   
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Мими позволяла Джону два развлечения в год: зимой – посещение рождественской пантомимы в ливерпульском театре "Эмпайр" и летом – поход на диснеевский фильм. Существовали, однако, и другие удовольствия, правда меньшего масштаба. Такие, как участие в большом пикнике, который местный детский дом Армии спасения устраивал каждое лето.
Едва заслышав звуки оркестра Армии спасения, Джон начинал подпрыгивать и кричать: "Мими, скорей! Мы опоздаем!"

Авторизованная биография Битлз
Х.Дэвис
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Re: Strawberry fields forever
Автор: Expert   Дата: 05.04.07 23:06:09   
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A Spaniard In The Works
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Re: Strawberry fields forever
Автор: sfug   Дата: 05.04.07 23:30:54   
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Ноэль Галлахер и Gem - 23.03.07. Strawberry fields forever
Очень недурно.
Снесло крышу  
Re: Strawberry fields forever
Автор: Expert   Дата: 05.05.07 23:36:47   
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Последняя Лингва утверждает...
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Re: Strawberry fields forever
Автор: demrog   Дата: 06.05.07 19:24:44   
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а правда что в в песне Strawberry fields forever на азбуке морзэ сообщаються две буквы J.L.
на 56 секунде в этой-же песне по середине слова совершена склейка.
все наверняка слышале о слухе гибели Пола. Так-вот,в коце этой песни если перевернуть её назад Джон Ленонн говорит I buried Paul (я похоронил Пола)
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Re: Strawberry fields forever
Автор: Expert   Дата: 06.05.07 19:54:25   
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Re: Strawberry fields forever
Автор: Expert   Дата: 02.09.07 11:41:53   
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Songwriters reveal top 10 tracks

Coldplay's Chris Martin picked The Verve's Bittersweet Symphony
The Beatles' Strawberry Fields and Jeff Buckley's cover of the Leonard Cohen classic Hallelujah feature in a poll to find the 10 greatest tracks.

Fifty songwriters, including Coldplay's Chris Martin and John Legend, took part in the vote for Q Magazine.

"Hallelujah is as near perfect as you can get. It transcends your mood. I can listen to it anywhere," said Legend.

The songwriters were asked to name their top three and from there the list was whittled down to the final top 10.

"You can play Strawberry Fields Forever on an acoustic guitar and it sounds beautiful," said Serge Pizzorno, of Kasabian.

"But the Beatles took the song to its furthest point, and the results are mind-bending."

Other classic tracks on the list include David Bowie's Life on Mars, The Rolling Stones' Sympathy For The Devil and Bruce Springsteen's Born To Run.

"It makes me feel like I'm being dragged away by this euphoric moment that could any moment tip into being corny, but doesn't," said Manic Street Preachers' star James Dean Bradfield of the Springsteen hit.

Coldplay singer Martin picked The Verve's Bitter Sweet Symphony.

"Bitter Sweet Symphony is as perfect a song as there is. And I say that as somebody who believes perfection is the enemy of imperfection," said Martin.

Bob Dylan's Blowin' In The Wind, Billie Holiday's Strange Fruit, God Only Knows by The Beach Boys and Lou Reed classic Perfect Day complete the list.




TOP 10 GREATEST TRACKS
Bitter Sweet Symphony - The Verve
Blowin' In The Wind - Bob Dylan
Born To Run - Bruce Springsteen
God Only Knows - The Beach Boys
Hallelujah - Jeff Buckley
Life On Mars - David Bowie
Perfect Day - Lou Reed
Strange Fruit - Billie Holiday
Strawberry Fields Forever - Beatles
Sympathy For The Devil - Rolling Stones
Source: Q Magazine

http://news.bbc.co.uk/1/hi/entertainment/6972837.stm
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Re: Strawberry fields forever
Автор: HEAVY999   Дата: 02.09.07 13:39:02   
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А мне Земляничные поляны всегда нравились гораздо больше, чем Пенни Лэйн, "возглавлявшая" сингл 1967г. Потрясающая вещь!
Здорово!  
Re: Strawberry fields forever
Автор: Вася битломан   Дата: 14.10.07 18:07:11   
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Эта песня из разряда тех, которые понравились мне не сразу.
Песня хорошая.
Особенно нравится take 7 (с меллотроном) из Антологии.
Окончательный вариант, особенно вторая часть с виолончелями и трубами, а также зверски усиленными барабанами, кажется мне слишком депрессивной.
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Re: Strawberry fields forever
Автор: Стас   Дата: 14.10.07 18:12:28   
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2Вася битломан:

>Окончательный вариант, особенно вторая часть
>с виолончелями и трубами, а также зверски усиленными
>барабанами, кажется мне слишком депрессивной.

В этом весь Джон, не все же ему Girl и I feel fine петь...
Любовь  
Re: Strawberry fields forever
Автор: BRIAN WILSON   Дата: 14.10.07 18:21:08   
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Одна из самых моих любимейших песен,если не самая любимая!А текст точно самый мой любимый!!!
Здорово!  
Re: Strawberry fields forever
Автор: Вася битломан   Дата: 14.10.07 18:29:14   
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2Стас:

>В этом весь Джон, не все же ему Girl и I feel
>fine петь...

Вы что то имеете против песен Girl и I feel fine? По моему это еще те шедевры...

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Re: Strawberry fields forever
Автор: Стас   Дата: 14.10.07 18:30:59   
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2Вася битломан:

>Вы что то имеете против песен Girl и I feel fine?
>По моему это еще те шедевры...

Я просто хочу сказать как Джон многогранен...
Валяюсь от смеха  
Re: Strawberry fields forever
Автор: Вася битломан   Дата: 14.10.07 19:00:23   
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2Стас:

>Я просто хочу сказать как Джон многогранен...

Да. Был многогранен. Как граненый стакан.
С этим не поспоришь.
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Re: Strawberry fields forever
Автор: Expert   Дата: 23.10.07 22:47:03   
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Strawberry Fields ForeverStrawberry Fields Forever
From Robert Fontenot,
Your Guide to Oldies Music.
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The history of this classic Beatles song
Strawberry Fields Forever
Working title: It's Not Too Bad
Written by: John Lennon (100%) (credited as Lennon-McCartney)
Recorded: November 24, 28-29, December 8-9, 15, 21, 1966 (Studio 2, Abbey Road Studios, London, England)
Mixed: November 28-29, December 9, 15, 22, 29, 1966; October 26, 1971
Length: 4:10
Takes: 26
Musicians: John Lennon: lead vocals (double-tracked), rhythm guitar (1964 Gibson J160E), mellotron (1964 Mark II), piano, bongos
Paul McCartney: bass guitar (1964 Rickenbacker 4001S), mellotron (1964 Mark II), timpani
George Harrison: lead guitar (1961 Sonic Blue Fender Stratocaster), surmandal (swordmandela), maracas
Ringo Starr: drums (Ludwig), timpani, percussion
Mal Evans: tambourine
Neil Aspinall: guiro
Terry Doran: maracas
Tony Fisher: trumpet
Greg Bowen: trumpet
Derek Watkins: trumpet
Stanley Roderick: trumpet
John Hall: cello
Derek Simpson: cello
Norman Jones: cello
First released: February 13, 1967 (UK: Parlophone R5570), February 17, 1967 (US: Capitol 5810); double a-side with "Penny Lane"
Available on: (CDs in bold)
Magical Mystery Tour (UK: Parlophone PCTC 255, US: Capitol (S)MAL 2835, Parlophone CDP 7 48062 2)
The Beatles 1967-1970 (UK: Apple PCSP 718, US: Apple SKBO 3404, Apple CDP 0777 7 97039 2 0)
Highest chart position: US: 8 (February 25, 1967), UK: 2 (March 2, 1967)
History:
1. This odd epic was a very personal song for John, written by him in Almeria, Spain, in the fall of 1966 while doing location filming for Richard Lester's anti-war comedy How I Won The War, in which he had his first non-Beatle role. At this time, the song began life as a gentle folkish number which John envisioned being delivered in conversational, almost "talking blues" style.
2. Even at this early stage, the lyrics dealt with Lennon's isolation from the world, his certainty that his mind existed on a different plane than most others. This is evident in the original lines "No one is on my wavelength, I mean, it's either too high or too low / That is, you can't, you know, tune in -- but it's all right. / I mean it's not too bad." Obscured slightly for humility's sake and made more poetic, these lines would eventually, just before recording, become the second verse: "No one, I think, is in my tree / I mean, it must be high or low / That is, you can't, you know, tune in -- but it's all right. / That is, I think it's not too bad."

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Re: Strawberry fields forever
Автор: Expert   Дата: 23.10.07 22:48:38   
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3. The main image of the song came from Strawberry Field, a Salvation Army orphanage located on Beaconsfield Road in Woolton, Liverpool, England. John often played in the woods near there, and the highlight of his social calendar as a child was the annual "fete" or fair held on the grounds, which Lennon would attend with his Aunt Mimi. After the untimely death of his mother, Julia, the site must have served as a special retreat from the horrors of the world. The use of the image also fits in with the early theme of the Sgt. Pepper's Lonely Hearts Club Band album, which dealt with a return to childhood. (This is borne out by the original 45 sleeve of the single, which featured childhood photos of the group.)
4. The song was begun in an apartment in El Zapillo, the beach section of Almeria, then, when wife Cynthia moved the couple to a nearby house called Santa Isabel, the first home demos were recorded. In early November 1966, John returned to his "Kenwood" home in London, where he further workshopped the song on tape.
5. Recording for "Strawberry Fields Forever" began on November 24, 1966, envisioned as a gentle ballad. However, John was unsatisfied with this arrangement, and sometime between November 29 and December 6, he asked George Martin to come up with a new arrangement featuring brass and strings, to which heavy percussion was later added. Pronouncing himself dissatisfied with both versions, John asked Martin to edit the beginning of one song (Take 7) with the end of another (Take 26). The producer thought this impossible, but after experimenting with a variable-speed tape machine, he found a way to slow down take 26 (in the key of A major) enough to bring it into the correct tempo and pitch with take 7 (in C major... this was also sped up to match it, but only very slightly).
6. The result is actually two edits -- one at 55 seconds into the song, where the chorus is brought in where the original third verse would have gone, and one at 59 seconds, where John's vocal can clearly be heard morphing into the new arrangement. Despite Martin's efforts, the second part of SFF is actually a semitone lower than the original piece.
7. The flute-sounding instrument at the beginning of the song is called a mellotron, a primitive sampler of sorts in which actual tapes of orchestral sounds (in this case, flutes) are manipulated by a keyboard. This represents the first use of the instrument by a rock band. Paul McCartney performed the mellotron intro, which Lennon wrote separately on harmonium sometime in 1964. The instrument is also used to provide "strings" in the early part of the song, and can be heard on the last fade-out, in flute setting, played backwards.
8. George Harrison can be credited with the introduction of the surmandel (swordmandela), an Indian version of the zither; Ringo's hi-hat is also recorded backwards for extra psychedelic effect (this is heard best in the last verse). The famous fade-in after the song "ends" appears to have been George Martin's creation; it is the first "double fade" in pop, and very possibly recording, history. The clanging sound heard during the final fade-in is produced by two trumpets and John's guitar, playing in unison.
9. This was the first song recorded for the historic Sgt. Pepper's sessions, but was, along with "Penny Lane," left off the final album. This was standard Beatles practice at the time, done in order to give fans more to buy, but producer George Martin has always counted leaving these two songs off as his greatest regret from the Beatles days.
10. It was rumored for many years by "Paul Is Dead" fanatics that John says "I buried Paul" at the very end of SFF, just before the last fade-out (at 3:57 and again at 4:03). Unearthed copies of take 26 prove, however, that he actually says "cranberry sauce," as he had always claimed, followed by a direction to his drummer, who was flailing away like mad: "All right, calm down, Ringo, calm down."
11. There's also an odd arrhythmic buzzing sound in the beginning of the song (at about fifteen seconds in, after the first "Let me take you down") that was rumoured to be morse code spelling out the initials "J.L." (for John Lennon).
12. The sound is actually an anomaly produced by holding down the mellotron keys. (If it were morse code, as experts have pointed out, it would spell "KAKTTEA.")
13. This double a-side was the first Beatles single not to go to Number One in the UK, stalling out behind Englebert Humperdinck's "Release Me." (It did, however, top Melody Maker's chart.)
14. This is the first UK Beatles 45 to feature a unique Beatles sleeve, one of only two to appear in that country. (The other is for "Let It Be".)
15. On January 31, 1967, the Beatles shot a promotional video for "Strawberry Fields Forever" in Knole Park, located near Sevenoaks in Kent. Featuring several clever visual gimmicks to match the audio experimentation in the song, it is often regarded as the first "conceptual" video.
16. This song ended the friendly creative rivalry existing for years between the group and the Beach Boys' Brian Wilson. The Rubber Soul album inspired the Boys' Pet Sounds, which in turn inspired the Beatles' follow-up, Revolver, but after hearing this single, Wilson shelved plans for his masterpiece, Smile, figuring that the Beatles had already bested him.
17. Trent Reznor of Nine Inch Nails is rumored to have purchased the Mellotron used on this recording.
18. During his life and in his will, Lennon donated money to the real Strawberry Field (no s) orphanage, a tradition carried on by his widow, Yoko Ono, after his death. However, foster homes and other programs have rendered orphanages largely obsolete, and John's beloved childhood retreat was closed for good in 2005.
19. After his shocking and violent death, John Lennon's widow Yoko Ono created Strawberry Fields, a section of New York City's Central Park, as a place for fans to gather, mourn, and celebrate Lennon and his ideals. It is a major mecca for Lennon fans, and is the site of official mourning every December 8 (the day of his murder).
Covered by: John Bayless, The Bee Gees, The Bobs, Candy Flip, Eugene Chadbourne, Los Fabulosos Cadillacs, Sandy Farina, Ben Harper, Richie Havens, Laurence Juber, David Lanz, Cyndi Lauper, Me First And The Gimme Gimmes, R. Stevie Moore, Mother's Finest, Odetta, Andy Partridge, Jorge Rico, Todd Rundgren, The Shadows, Tomorrow, The Ventures, Cassandra Wilson
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