да уж, мне тоже с самого начала ситуации показались схожими
Re: Концерт Пола Маккартни в Москве - завершаем прием заказов на фан-зону и танцпартер, продолжаем принимать заявки на сектора Автор:Лена me mineДата: 21.10.11 13:04:59
Город: Москва Номер заказа: 2471 (точно не уверена) Танцпартер: 4 ваучера
Re: Концерт Пола Маккартни в Москве - завершаем прием заказов на фан-зону и танцпартер, продолжаем принимать заявки на сектора Автор:Лена me mineДата: 19.10.11 22:26:25
нажала на кнопку "получила билеты, спасибо!", хотя тоже только с ваучерами
надеюсь, что обмен и танца будет раньше, чем было заявлено
Re: Концерт Пола Маккартни в Москве - получение билетов в рамках специального предложения для участников Битлз.ру - этап 2 Автор:Лена me mineДата: 17.10.11 17:33:10
меня со вчерашнего дня атаковали Питерцы, прося узнать, когда же начнут обращать внимание на вариант оплаты номер 2 надеюсь, после этой новости им всем всё-таки удастся получить свои билеты
зы: как хорошо, что я вовремя спрыгнула со 2-го варианта, который первоначально выставила в качестве оплаты, привыкнув, что платить по инету по карточке даже проще, чем наличкой...
Re: Концерт Пола Маккартни в Москве - получение билетов в рамках специального предложения для участников Битлз.ру Автор:Лена me mineДата: 16.10.11 23:13:59
получила сегодня ваучеры! концерт стал немного ближе :) спасибо большое Корвину и всем беспокоившимся за нас :)
Re: Концерт Пола Маккартни в Москве - получение билетов в рамках специального предложения для участников Битлз.ру Автор:Лена me mineДата: 16.10.11 14:37:09
Very few concert tickets contain the written promise: "An evening of mystical enchantment and emotional bliss." But those were the exact words contained on the tickets for Ravi Shankar's sold-out Sunday night concert at California Center for the Arts, Escondido.
In its best moments, enchantment and bliss are exactly what this seemingly tireless master of Indian music delivered. Both have been Shankar's artistic specialties since even before he achieved worldwide fame in the 1960s -- a decade that saw him mentor then-Beatle George Harrison on the sitar and perform memorably at the now-legendary Monterey Pop and Woodstock festivals. (Shankar is prominently featured in the second part of Martin Scorsese's new Harrison documentary, "Living in the Material World.")
Of course, Shankar is not impervious to the passing of time. Now 91 and sporting a full white beard, the longtime Encinitas resident uses a cane. And, for the first time in memory at one of his area concerts, rather than perform while sitting cross-legged with his sitar in his lap, he sat on a small riser on the stage, his legs fully extended in front of him.
But these were his only visible concessions to age. His 83-minute concert -- Shankar's first here since 2007 -- found him no less able to dazzle and delight than in previous years. While he may walk more slowly, his mind and fingers seem as fleet as ever. His hearing is similarly sharp -- "What was that?" Shankar asked, after an unseen baby cried out from afar, as the maestro was making his introductory remarks to the otherwise hushed audience in the darkened theater.
Most of the five pieces Shankar performed Sunday were carefully constructed to ebb and flow, an approach that enabled him to achieve maximum dynamic tension and release. He chose his moments with care and precision, knowing exactly when to hold back and when to take off.
The concert opened with "Yamun Kalyan," a slow, meditative raga that found Shankar playing long, extended notes that he bent to achieve a deeply contemplative tone. It was followed by the more lively "Khamaj," which built in intensity throughout. During his exuberant solo on this intricately constructed composition, Shankar played double-time and triple-time lines that never sounded rushed, no matter how accelerated the music became.
He also engaged in some quicksilver exchanges with Parimal Sadaphal, who performed on second sitar in place of Shankar's daughter Anoushka (who earlier this year gave birth to her first child and now lives in London with her husband, "Atonement" film director Joe Wright). "Khamaj" clocked in at 24 minutes and Shankar made every one of them count.
While he laid his sitar down for the next piece, a percussion feature, Shankar remained fully engaged, keeping time with his feet and arms, his head turning back and forth as if watching an especially animated tennis match. That "match" came courtesy of tabla players Tanmoy Bose and Samir Chaterjee, who were seated to either side of Shankar. They were joined by flutist Ravichandra Kulur, who for this selection played rapid-fire rhythmic patterns on the khanjira, a small South Indian frame drum.
Bose and Chaterjee at times each sounded like complete percussion ensembles on their own, whether playing deviously complex patterns with their hands or, in the case of Bose and Kulur, at one point singing their drum parts with tongue-defying dexterity.
How to top such virtuosity? Shankar did so, almost effortlessly (although it is the mark of a master to make the near-impossible seem effortless). For the next piece, an untitled raga, he muted the strings of his sitar with a piece of cloth. He then proceeded to perform a six-minute solo that soared from start to finish, with a succession of charged cadenzas -- one more breathtaking than the next -- that would have taxed most musicians one third his age.
Remarkably, this was merely a prelude to "Raga Mallika," the 27-minute extravaganza that concluded the concert. In actuality a series of ragas and traditional Indian folk songs, "Raga Mallika" was full of unexpected twists and turns, as Shankar cued his accompanists with a nod of his head or, sometimes, by switching gears in the middle of a solo to segue into the next segment.
When the piece concluded, the audience responded with a two-minute standing ovation. There was no encore, although the absence of one was not a concession to Shankar's age. He had said all there was to say, for this night at least, with the exceptional musical eloquence and passion that continue to be his trademarks.
Re: Флэщмоб во время концерта Пола Маккартни Автор:Лена me mineДата: 11.10.11 18:02:45