The Who

2Ролловер: Точно! Это (условно) первая версия!Помню,помню!

CD-версия:
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1 I'm the Face
Meaden, Pete
2:29
2 Leaving Here
Dozier, Lamont/Holland, Eddie/Holland, Brian
2:13
3 Baby Don't You Do It
Dozier, Lamont/Holland, Brian
2:28
4 Summertime Blues
Cochran, Eddie/Capehart, Jerry
3:13
5 Under My Thumb
Jagger, Mick/Richards, Keith
2:45
6 Mary Anne with the Shaky Hand
Townshend, Pete
3:23
7 My Way
Cochran, Eddie/Capehart, Jerry
2:28
8 Faith in Something Bigger
Townshend, Pete
3:01
9 Glow Girl
Townshend, Pete
2:26
10 Little Billy
Townshend, Pete
2:17
11 Young Man Blues
Allison, Mose
2:44
12 Cousin Kevin Model Child
Entwistle, John
1:26
13 Love Ain't for Keeping
Townshend, Pete
4:04
14 Time Is Passing
Townshend, Pete
3:31
15 Pure and Easy
Townshend, Pete
5:24
16 Too Much of Anything
Townshend, Pete
4:23
17 Long Live Rock
Townshend, Pete
3:58
18 Put the Money Down
Townshend, Pete
4:31
19 We Close Tonight
Townshend, Pete
2:58
20 Postcard
Entwistle, John
3:32
21 Now I'm a Farmer
Townshend, Pete
4:09
22 Water
Townshend, Pete
4:40
23 Naked Eye
Townshend, Pete
5:27
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2Ролловер: Вторая (опять-же условно) версия состояла из самых ранних синглов "Ху" в числе коих "Саммертайм блюз" Эдди Кокрана, "Мэджик бас", Роллинговский "Андер май томб", что сие? Очаровательная шутка Кита Ламберта или Пита Тауншенда?

А это другой альбом - мне сама идея обложки очень симпатична

...и оборот

2Гегемон:

>2Ролловер: Вторая (опять-же условно) версия состояла
>из самых ранних синглов "Ху" в числе коих "Саммертайм
>блюз" Эдди Кокрана, "Мэджик бас", Роллинговский
>"Андер май томб", что сие? Очаровательная шутка
>Кита Ламберта или Пита Тауншенда?

Про вещь Стоунз отвечать?)))

Умничать - так умничать))).Дорогой Гегемон, вsrkflsdf. ещё раз сет-лист, но уже с комментариями по каждой песне. С уважением.
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1. I’M THE FACE
(Peter Meaden)
Original recording produced at Philips' Studio, London, in June 1964 and produced by Jack Baverstock and Chris Parmeinter.
The Who’s first single, released on 3 July 1964 when they were known as The High Numbers. The lyrics were written by their then publicist Meaden and set to the melody of Slim Harpo’s GOT LOVE IF YOU WANT IT. It failed to make the charts and Fontana did not take up the option on a second single by The High Numbers.
I'M THE FACE was part of the original ODDS & SODS in 1974 and was reissued as a single on Polydor’s Back Door label in 1980.
The original single on the Fontana label, however, has since become a valuable collectors’ item, with mint condition copies selling for vast sums of money.
2. LEAVING HERE
(Holland/Dozier/Holland)
This and the track that follows are recordings made by The Who at Pye Studios in London, most likely some time during the first few months of 1965.
Supposedly another, earlier, version of this song was produced by Chris Parmenter at Philips' Studio, when The Who were The High Numbers, but has yet to surface, if indeed it exists.
3. BABY DON’T YOU DO IT
(Holland, Dozier, Holland)
The reverse side of the acetate disc featuring the previous track (see above), this is the earliest known version of The Who performing the Tamla Motown song recorded by Marvin Gaye that would become a stage favourite in the mid-Sixties and again in the early Seventies.
4. SUMMERTIME BLUES
(Eddie Cochran/Jerry Capehart)
Recorded at De Lane Lea Studios, London, on 10 October 1967, as part of a session for the BBC. The better known live version appeared on The Who’s LIVE AT LEEDS album, originally released in 1970, but The Who – as The Detours – had been playing the song since before Keith Moon joined the band in 1964.
5. UNDER MY THUMB
(Jagger/Richard)
Original recording produced by Kit Lambert at De Lane Lea Studios on 28 June 28 1967.
Released as a single June 30, 1967, coupled with THE LAST TIME. The Who recorded these two Rolling Stones’ songs as a gesture of support after Mick Jagger and Keith Richards were jailed on drug charges. It was their intention to continue recording Jagger/Richards songs for as long as they were imprisoned but the pair were released before The Who had a chance to record any more. Pete played bass because John was away on his honeymoon.
6. MARY ANNE WITH THE SHAKY HAND
(Townshend)
Recorded in New York at Mirasound Studios on 6 August 1967.
An alternate mix of the electric version of ‘MARY ANNE WITH THE SHAKY HAND released as the US B-side of I CAN SEE FOR MILES in September 1967. Al Kooper’s organ fills, mixed out or low on the released take, are more prominent here.
7. MY WAY
(Eddie Cochran/Jerry Capeheart)
Recorded at De Lane Lea Studios, London, on 10 October 1967 as part of a session for the BBC. The Who featured this number in their stage act before they became a recording act, and occasionally played it during 1967 and 1968.
8. FAITH IN SOMETHING BIGGER
(Townshend)
Original recording produced by Kit Lambert at CBS Studios, London, on 4 January 1968, and completed 14 January.
On the original ODDS & SODS album.
9. GLOW GIRL
(Townshend)
Original recording produced by Kit Lambert at De Lane Lea Studios, January 1968 and completed on 11 February.
On the original ODDS & SODS album.
Within GLOW GIRL lie the seeds of TOMMY: it closes with the opening lines from IT'S A BOY, albeit referring to a girl... “It’s a girl, Mrs Walker...”
10. LITTLE BILLY
(Townshend)
Original recording produced by Kit Lambert at IBC Studios, London, on 11 February 1968, and mixed at Gold Star Studios, Hollywood, 26 February.
LITTLE BILLY is a stern, anti-smoking song The Who recorded on behalf of the American Cancer Society.
On the original ODDS & SODS album.
11. YOUNG MAN BLUES
(Mose Allison)
Produced by Kit Lambert during the early TOMMY sessions at IBC Studios, London, in September or October 1968, this studio version of YOUNG MAN BLUES was initially identified as a version of the song released on the long unavailable UK 1969 Track sampler album, THE HOUSE THAT TRACK BUILT. To the delight of collectors, it proved to be a previously unknown version. The Who’s better-known (live) version appeared on 1970’s LIVE AT LEEDS.

12. COUSIN KEVIN MODEL CHILD
(Townshend)
A track recorded during the TOMMY sessions, sung by Keith Moon, but rejected in favour of the better known COUSIN KEVIN song, written by John Entwistle.
13. LOVE AIN’T FOR KEEPING
(Townshend)
Recorded during the Record Plant, New York Lifehouse sessions in March 1971, and produced by Kit Lambert. Featuring a live vocal from Pete, and Leslie West on second guitar.
14. TIME IS PASSING
(Townshend)
Recorded at Olympic Studios, London in May/June 1971, during the WHO'S NEXT sessions, this is the Who version of a song previously available as a track on Pete’s first official solo album WHO CAME FIRST (September 1972). This mono version was remastered from a damaged master tape.
15. PURE AND EASY
(Townshend)
Produced by The Who, and associate producer Glyn Johns, at Olympic Studios, in May 1971.
On the original ODDS & SODS album.
16. TOO MUCH OF ANYTHING
(Townshend)
Produced by The Who, associate producer Glyn Johns, at Olympic Studios, during May 1971.
On the original ODDS & SODS album.
17. LONG LIVE ROCK
(Townshend)
Produced by The Who, associate producer Glyn Johns, at Olympic Studios, on June 5, 1972.
On the original ODDS & SODS album and released as a single on 1 April 1979, reaching #48, and as a US single in June 1979.
LONG LIVE ROCK was originally written as part of an album about the history of The Who, a concept that Pete abandoned in favour of QUADROPHENIA. It first appeared in the film THAT'LL BE THE DAY, featuring Keith Moon, and was sung by Billy Fury.
18. PUT THE MONEY DOWN
(Townshend)
Produced by The Who, associate producer Glyn Johns, at Olympic Studios, on 6 June 6 972.
This track remained uncompleted until 1974 when Roger finally finished the vocal so it could be included on the original ODDS & SODS.
19. WE CLOSE TONIGHT
(Townshend)
Recorded on Ronnie Lane’s Mobile studio on 20 June 1973.
An outtake from QUADROPHENIA. Unusually, it features John (and Keith) singing a song written by Pete.
20. POSTCARD
(Entwistle)
Produced by The Who at Pete’s own Eel Pie Sound sometime during the spring of 1970.
This was the opening track on the original ODDS & SODS album in 1974.
21. NOW I’M A FARMER
(Townshend)
Produced by Pete Townshend at Eel Pie Studios during spring 1970. Recorded for the same EP as POSTCARD.
22. WATER
(Townshend)
This is the studio version of the song produced by Pete at Eel Pie Studios during the spring of 1970.
The Who featured WATER in their stage act in 1970 and ‘71 but didn’t release it until it became the B-side of 5'15 in October 1973.
23. NAKED EYE
(Townshend)
This is the version recorded at Eel Pie Studio and produced by Pete in spring 1970.
From the original ODDS & SODS album.
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The original ODDS & SODS album was released by Track Records (2406 116) in October 1974, and as a CD in the early 1980s (Polydor 517 946-2). It is currently available as a remixed & remastered Polydor CD (539 791-2, 1998). It was released simultaneously in the US (MCA 2126), on CD (MCA MCAD-1659) and is also now available as a remixed & remastered CD on MCA (MCAD-11718, 1998).
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Кажется, теперь всё)))(Картинка просто так)))))))))))))

2Ролловер:Добрый вечер и огромное спасибо за разяснения! Теперь червь сомнений меня не гложет. Надо просто подновить "первую" версию и добрать "вторую"!

Интересная ситуация однако, два разных альбома с одинаковым названием!

2Гегемон:

>Интересная ситуация однако, два разных альбома
>с одинаковым названием!

У Стоунз в 60-е такие "перлы" тоже присутствуют)))

2Ролловер: Тем и интересно, что в 70-х подобных фокусов уже не было. Кажется.

2Гегемон:

>2Ролловер: Тем и интересно, что в 70-х подобных
>фокусов уже не было. Кажется.
Хм, а я чего-то так сразу и не соображу....(((

Вау!!!! Rollover!!В ы-чудо!! А я уже собралась с сайта уходить на всегда в ночь холодную из-за "местных гопотских раскладов" и из-за того, что читать то здесь, по сути, больше и нечего. А тут моя любименькая тема опять в топе! Давайте, давайте поговорим про The Who!!! Очень они замечательные и так мало информации о них на русском языке!!

2Окаппи: Это точно! И замечательные и информации крайне мало. Почему-то в нашей среднерусской действительности эту группу не жалуют. Между тем "Ху" - величайшая рок-н-ролльная банда в мире.

Согласна совершенно. И , на самом деле, никто не дал такие мощные побеги, как они. Панк, хард рок,- все они так или иначе были подвержены их влиянию. ИМХО, конечно.

2Окаппи:Не побоюсь поддакнуть ибо все это так!

Вобще говорить об этой группе для меня сложно, это как Шекспир,даже не знаешь с чего начать!Краеугольный столп рок-музыки!

Давайте поговорим. Мне кажется, что из-за обилия картинок и информации на предыдущей странице возникла легкая путаница. Сначала Odds and Sods (тот, где ребята в шлемах) был издан с 11 композициями. Так же он вышел и на компакте в свое время. Потом в 1998 году было переиздание этого же альбома, но с 23 композициями (11 оригинальных и 12 дополнительных). Так что это не 2 альбома с одинаковым названием, это re-issue того же самого альбома. У Стоунз ближайшее по смыслу явление было не так давно - переиздание Rolled Gold

Сборник 1971 года, где пацаны сидят на крыльце - это совсем другой альбом (хотя эта картинка и есть внутри буклета к Odds and Sodds).

Ну и список композиций Odds and Sodds - re-issue, любезно предоставленный Rollover, проиллюстрирован картинкой от Who by Numbers, но это, наверное, все и так поняли.

Long Live Rock!

2Гегемон:

>Вобще говорить об этой группе для меня сложно,
>это как Шекспир,даже не знаешь с чего начать!Краеугольный
>столп рок-музыки!

Как говорит Андрей Хрисанфов- плюс стопицот!))