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Adelaide Reaction (PC-163/164) includes material from June, 1964 specifically: Netherlands 6/5/64, Bloccker 6/6/64(Early & Late), Adelaide 6/12/64, Melbourne 6/17/64(Early & Late), Sydney 6/18-20/64 Melbourne(video mix) 6/17/64(late).

http://www.collectorsmusicreviews.com/announcements/new-beatles-on-silver/

George Harrison - The Art Of Darkness (Mid Valley 427/428/429/430)
Trident Studios, London, England - August to September 1970

Disc 1 (76:44): What Is Life #1　1. acoustic guitar 2. lead guitar, What Is Life #2　3. 2nd guitar 4. drums 5. piano + lead guitar, What Is Life #3　6. guitar 7. horns, Beware Of Darkness #1　8. lead guitar 9. acoustic + vibes 10. drums, Beware Of Darkness #2　11. lead guitar + vocal, Beware Of Darkness #3　12. piano + acoustic + vibes 13. guitar + drums, Beware Of Darkness #4　14. instruments 15. strings 16. vocal + guitar, You 17. lead guitar

Disc 2 (72:58): Let It Down #1　1. bass 2. drums 3. guitar, Let It Down #2　4. vocals + bass, Let It Down #3　5. backing vocals + vocal 6. piano 7. organ, Let It Down #4　8. vocals 9. lead guitar + horns 10. organ + guitar, You　11. guitar

Disc 3 (76:39): Apple Scruffs #1　1. vocals + harmonica 2. acoustic 3. percussion, Apple Scruffs #2　4. vocals + 2nd lead guitar, Apple Scruffs #3　5. vocals + harmonica + guitar 6. backing vocals 7. backing vocals,Awaiting On You All #1　8. bass 9. drums + slide guitar 10. guitar, Awaiting On You All #2　11. bass + slide guitar 12. more guitars 13. piano, Awaiting On You All #3　14. bass 15. horns + percussion 16. guitar + piano, Art Of Dying #1　17. bass + drums 18. rhythm guitars 19. lead guitar, Art Of Dying #2　20. piano + organ, Art Of Dying #3　21. piano + organ + drums 22. horns 23. horn, You　24. bass

Disc 4 (72:42): Run Of The Mill #1　1. guitar + guide vocal 2. guitars 3. drums, Run Of The Mill #2　4. lead vocal 5. harmonium 6. piano, Run Of The Mill #3　7. lead vocal 8. horns + acoustic 9. piano + harmonium, Hear Me Lord #1　10. lead guitar + lead vocal 11. drums 12. organ, Hear Me Lord #2　13. vocal + guitar 14. piano 15. organ

The Art Of Darkness contains new outtakes from George Harrison’s All Things Must Pass sessions. It takes nine tracks from the album and isolates the individual overdubs spanning several takes of each song. The virtue of this is twofold. Phil Spector’s production on the album was to lay down multiple instrumental tracks to produce his famous “wall of sound” where many of the instruments are “felt” rather than “heard.” Listening to these four discs, one can gain appreciation for the many of the performance that, on the final mix, are buried too deep to be truly heard.

Around the time of the thirtieh anniversary release of All Things Must Pass in 2000, George Harrison stated in interviews that he chose Phil Spector to produce his first solo album because, in working on The Beatles’ Let It Be and John Lennon/Plastic Ono Band, he was readily available for the task. In the liner notes of the new edition, he wrote: “It’s been thirty years since All Things Must Pass was recorded. I still like the songs on the album and believe they can continue to outlive the style in which they were recorded. It was difficult to resist re-mixing every track. All these years later I would like to liberate some of the songs from the big production that seemed appropriate at the time, but now seem a bit over the top with the reverb in the wall of sound. Still, it was an important album for me and a timely vehicle for all the songs I’d been writing during the last period with The Beatles. I began recording just months after we had all finally decided to go our separate ways and I was looking forward to making the first solo album of ’songs’ (as opposed to Wonderwall and Electronic Sound which were instrumental).”

The other, seemingly contrary virtue, is that one is able to better appreciate the artistic direction Spector took the sessions. Harrison’s compositions were not lightweight pop ditties but deal with lofty subjects. Whether one agrees or disagrees with his point, he was trying to express sincerely held beliefs in a rhetorical manner. The orchestration needed to fit the message and Spector’s work looks past to the past where musical authority was expressed by the multitude of tonal color meant to express a wide range of ideas and emotions. All music is subject to culture and style, but this is an attempt to transcend late sixties and early seventies musical mores to produce a work that is timeless. Hearing the isolated performances greatly enhances the appreciation of the final mix, whether one agrees or disagrees with the artistic decision.

Obtaining detailed personal for each individual track is almost impossible (if anyone knows, please send it in). Knowing who is playing what is largely dependent upon recognition of individual style. Eric Clapton’s contributions are very obvious with as well as the individual keyboardists Gary Wright, Bobby Whitlock, Gary Brooker and Billy Preston. The Art Of Darkness is packaged in a standard four disc fatboy jewel case with several inserts with photos of George in his estate taken at the same time as the cover photo. The four discs serve as an excellent compliment to the material that surfaced about ten years ago. This title also fits into the case supplied with A Quiet Storm collecting together fourteen discs total making this the most comprehensive collection of All Things Must Pass outtakes ever gathered together into one.

http://www.collectorsmusicreviews.com/clapton-eric/george-harrison-the-art-of-darkness-...

На предыдущей странице Corvin уже упомянул о двух новых изданиях Godfatherecords под каталожными номерами GR 332 и GR 333. Мне лишь остаётся показать более подробную раскладку по композициям, полученную сегодня от производителя и упомянуть, что предыдущее издание The Esher Demos (GR 261) имело настолько ошеломляющий успех у коллекционеров, что компания решила допечатать новый тираж.

2Вад:

>предыдущее издание The Esher Demos (GR 261) имело настолько
>ошеломляющий успех у коллекционеров, что компания
>решила допечатать новый тираж.

Этот материал ведь издавался уже много раз.
В чем "фишка" издания от Godfather?

Улучшенная перепаковка (плакат, хороший буклет с подробным рассказом о каждом треке). А звук, конечно же, мы на различных бутлегах уже раньше встречали.

2Вад:

>Улучшенная перепаковка (плакат, хороший буклет
>с подробным рассказом о каждом треке). А звук,
>конечно же, мы на различных бутлегах уже раньше встречали.

Спасибо!

Live At TOKYO DOME JAPAN 11th November 2002 2CD + DVD

Japan's 2002 ultra-high-performance CD +5.1 ch surround sound quality of the DVD set of specifications!

Paul McCartney's third tour to Japan from the 2002 Tokyo Dome on November 11 performance from ultra-high-quality master recording audience. Taken by the audience will be the release of the DVD set.

Paul McCartney
Strange Apple Records SAR009 - Always Cm
Available as standard DVD or Deluxe DVD +CD Versions
Soundcheck + Live at Tokyo Dome 1993

[DVD] Soundcheck 1.Opening 2.Matchbox (15 Sunday) 3.Just Because (14 Sunday) 4.No Other Baby (15 Sunday) 5.Bring It On Home To Me (14 Sunday) 6.Good Rockin 'Tonight ( 15, 2007) 7.Be-Bop-A-Lula (15 Sunday) 8.Midnight Special (15 Sunday) 9.Every Night (14 Sunday) 10.CMoon (14 Sunday) 11.Don 't Let The Sun Catch You Crying (15) 12.Ain 't That A Shame (15 Sunday) 13.The Long And Winding Road (14 Sunday) 14.Get Out Of My Way (15 Sunday) 15.Linda Lu (15 Sunday) 16.Twenty Flight Rock (15 Sunday) Concert 17.Let Me Roll It (14 on the day of combines sound checks and this column) 18.We Can Work It Out (15 Sunday) 19.Lady Madonna (15 Sunday) 20.Magical Mystery Tour (15 Sunday ) 21.Live And Let Die (15 Sunday) 22.Paperback Writer (15 Sunday) 23.Back In The USSR (15 Sunday) 24.Hey Jude (15 days) 25.Biker Like An Icon(15日) 25.Biker Like An Icon (15 days)

[CD]1.Jam #1 2.Matchbox 3.Just Because 4.Bring It On Home To Me 5.Let Me Roll It 6.San Francisco Bay Blues 7.Midnight Special　8.All My Trials 9.Every Night　10.Jam #2　11.Don’t Let The Sun Catch You Crying 12.C Moon 13.The Long And Winding Road　14.Ain’t That A Shame 15.Jam #3 16.Twenty Flight Rock [CD] 1.Jam # 1 2.Matchbox 3.Just Because 4.Bring It On Home To Me 5.Let Me Roll It 6.San Francisco Bay Blues 7.Midnight Special 8.All My Trials 9.Every Night 10. Jam # 2 11.Don 't Let The Sun Catch You Crying 12.C Moon 13.The Long And Winding Road 14.Ain' t That A Shame 15.Jam # 3 16.Twenty Flight Rock

Paul McCartney - Teenage Dream
Label: Misterclaudel
Catalogue No.: MDCD091 / 92
Format: 2CD & Deep Jewel case + Obi
Origin: Japan

An audience recording of the penultimate Japanese show of Paul's 1990 show,which was previously available on the Templar Records title Friends of the Earth , where a LQ source was used and professional editing to remove all mention of where the show was recorded. Misterclaudel are using an alternate audience recording which includes the complete soundtrack to the opening film and all stage announcements. So undoubtedly this will be a core title, they report that the sound quality is better, so we will have to see if the Templar Records release becomes obsolete or that you need both.

http://www.moptop.org/music/docs/beatles/boots/cd/mccd091.htm

George Harrison - Concert For The Natural Law Party 1992
Label: Misterclaudel
Catalogue No.: MDCD105
Format : 2CD + DVD in Deep Double Jewel case
Origin: Japan

http://www.moptop.org/music/docs/beatles/boots/cd/mccd105.htm

Подробности о релизе "Adelaide Reaction"
см. https://www.beatles.ru/postman/forum_messages.asp...type=1&word=adelaide&headers=1#1012487

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Adelaide Reaction (Purple Chick PC-163/164)

Disc 1 (79:15) The Beatles in Nederland - 5 June, 1964: 1: interview (Denmark and The Netherlands), 2: She Loves You (Denmark and The Netherlands), 3: All My Loving (Denmark and The Netherlands), 4: Twist And Shout (Denmark and The Netherlands), 5: Roll Over Beethoven (Denmark and The Netherlands), 6: Long Tall Sally (Denmark and The Netherlands), 7: Can’t Buy Me Love (Denmark and The Netherlands,

Blokker, The Netherlands - 6 June, 1964 (early): 8: intro (Miscellaneous Tracks 2005), 9: I Saw Her Standing There (Miscellaneous Tracks 2005 + Denmark and The Netherlands), 10: I Want To Hold Your Hand (Denmark and The Netherlands), 11: intro (Denmark and The Netherlands), 12: All My Loving (Denmark and The Netherlands), 13: She Loves You (Denmark and The Netherlands), 14: intro (We’d Like To Carry On), 15: Twist And Shout (We’d Like To Carry On), 16: Long Tall Sally (We’d Like To Carry On + Vinyl To The Core),

Blokker, The Netherlands - 6 June, 1964 (late): 17: intro (We’d Like To Carry On), 18: I Saw Her Standing There (We’d Like To Carry On), 19: I Want To Hold Your Hand (We’d Like To Carry On)
20: intro (We’d Like To Carry On), 21: All My Loving (We’d Like To Carry On)

Adelaide, Australia - 12 June, 1964: 22: intro (300,000 Beatle Fans Can’t Be Wrong), 23: I Saw Her Standing There (300,000 Beatle Fans Can’t Be Wrong), 24: I Want To Hold Your Hand (300,000 Beatle Fans Can’t Be Wrong), 25: All My Loving (300,000 Beatle Fans Can’t Be Wrong), 26: She Loves You (300,000 Beatle Fans Can’t Be Wrong), 27: Till There Was You (300,000 Beatle Fans Can’t Be Wrong) 28: Roll Over Beethoven (300,000 Beatle Fans Can’t Be Wrong), 29: Can’t Buy Me Love (300,000 Beatle Fans Can’t Be Wrong), 30: This Boy (300,000 Beatle Fans Can’t Be Wrong), 31: Twist And Shout (300,000 Beatle Fans Can’t Be Wrong), 32: Long Tall Sally (300,000 Beatle Fans Can’t Be Wrong), 33: outro (300,000 Beatle Fans Can’t Be Wrong + 300,000 Beatle Fans Can’t Be Wrong vinyl)

Disc 2 (76:48) Melbourne, Australia, 17 June, 1964 (early): 1: intro (Australian Tour 1964), 2: I Saw Her Standing There (Australian Tour 1964), 3: You Can’t Do That (Australian Tour 1964), 4: All My Loving (Australian Tour 1964), 5: She Loves You (Australian Tour 1964), 6: Till There Was You (Australian Tour 1964), 7: Roll Over Beethoven (Australian Tour 1964), 8: Can’t Buy Me Love (Australian Tour 1964)
9: This Boy (Australian Tour 1964), 10: Twist And Shout (Australian Tour 1964), 11: intro to long tall sally All The Best From Australia)

Melbourne, Australia, 17 June, 1964 (late): 12: intro (Message To Australia), 13: I Saw Her Standing There (Message To Australia), 14: You Can’t Do That (Message To Australia), 15: All My Loving (Message To Australia), 16: She Loves You (Message To Australia), 17: Till There Was You (Message To Australia)
18: Roll Over Beethoven (Message To Australia), 19: Can’t Buy Me Love (Message To Australia), 20: This Boy (Message To Australia), 21: Twist And Shout (Message To Australia), 22: Long Tall Sally (Message To Australia)

Sydney, Australia - 18-20 June, 1964: 23: intro (Make As Much Noise As You Like), 24: I Saw Her Standing There (Make As Much Noise As You Like), 25: You Can’t Do That (Make As Much Noise As You Like)

Original source notes: “You probably don’t need another live Beatles collection, but here’s one anyway, taking us through to the conclusion of their first world tour, with Jimmy Nichols on drums for Disc One.”

“Carefully compiled and restored from the best sources we could find. As always, we didn’t just copy the audio from the listed sources - instead, we tried to work some of our patented sonic magic when necessary. Of course, the quality still varies from dire to delightful, but you knew that already.”

“What’s interesting is that we have two different in-line mixes for (most of) the second Melbourne show. We briefly toyed with the idea of combining them, but they didn’t produce a satisfying stereo image.”

“Purple Chick discs are fan created and NEVER FOR SALE!”

Purple Chick has a reputation for being the label of choice for hardcore Beatles fans and has released 6 double volumes of live Beatles concerts beginning with “Live 01 - Star Club”, “Live 02 - Before America”, “Live 03 - Conquering America”, “Live 04 - Adelaide Reaction”, “Live 05 - Seattle Down” and “Live 06 - Convention Hall Wisdom” [PC-157/158/159/160/161/162/163/164/165/166/167/168] of which “Adelaide Reaction June 1964″ + “Convention Hall Wisdom” see their release in original silver label issue.

The mere thought of a Purple Chick release on silver label issue must seem abhorrent and an aberration to this loyal fan base. I say, what we have here is potentially the best of both worlds although it is necessary and fair to emphatically state that Purple Chick had nothing to do with this development and, hence, did not sell out here.

Disc One begins with the June 4. 1964 Beatles performance in Denmark featuring none other than Jimmy Nichol on drums as a “temporary Beatle” to cover for Ringo who collapsed the day before at an early morning photo shoot with 102-degree fever and tonsillitis. Nichol played with the Beatles until Ringo was able to join them in Melbourne later that month. “All My Loving” offered different pitched harmonies. Nichols was not as forceful or dramatic as Ringo on “Twist And Shout”. Wild and manic clapping helped “Roll Over Beethoven” take off. The Beatles are heard in extreme clarity with intermittent crowd enthusiasm and howls mostly in the backround. Nichol is able to be heard in front of the mix on this track. The silence between tracks and the crowd reactions is startling. Before breaking into “Can’t Buy Me Love”, the Beatles announce: “The next song will be the last song for us. Clap your hands, stomp your feet.” Clearly the Beatles egged their crowds on.

We move into the June 6, 1964 early Netherlands performance with crowd excitement abundant and whistles left and right. “I Saw Her Standing There” sounds like a distant audience recording but easy to listen to. It is easy to discern that Nichol is on drums on a more melodic version of “I Want To Hold Your Hand”. Nichol offered a plodding beat on this track that had the crowd singing along throughout its duration. It is next to impossible to hear the Beatles singing on “All My Loving” as the crowd takes over again in unison for the entire track. At the end of the song one can hear: “Thank you very much” deep in the backround. “She Loves You” sounded a bit like a karokee sing along with the track fading out before completion. The fidelity improves with “Twist And Shout” but unfortunately includes the announcer, in pristine fidelity, talking over the entire performance. “Long Tall Sally” fades out at the 22 second mark to end this show.

The June 6, 1964 late Netherlands concert begins with the wild and hysterical sounding crowd and a fade in to “I Saw Her Standing There” with some mild, though not annoying, distortion at the upper registers featuring solid aggressive jamming by the Beatles. “I Want To Hold Your Hand” fades in and lasts only 19 seconds. “All My Loving” in excellent fidelity intermittently fades in and out in a continuous 47 second feed.

The June 12, 1964 Adelaide performance is the last one featuring Nichol on drums and starts with the Intro: “Wow, you’re gonna be, you’re gonna be a good audience aren’t you. You’re not going to do silly things like they do overseas. Please stay right where you are. Scream after the numbers . Please, let’s hear them sing. What can you say. Complete silence. Complete silence. You can’t say anything else but, ladies and gentlemen, THE BEATLES!” The concert kicks off with “I Saw Her Standing There” and the crowd noise and hysteria reaching deafening proportions. The voices were crystal clear with the bass up front and the vocals + guitars secondary in the mix. Harrison sounded good on lead guitar with the bass, again, carrying the track. The guitars, bass and vocals were very clear on “I Want To Hold Your Hand”. Prior to “All My Loving”, McCartney states: “First of all, we’d like to thank everyone for the marvelous welcome we’ve had in Adelaide”. The crowd goes insane and absolutely hysterical intermittently. The Beatles, surprisingly, are heard in very good clarity on this track. The vocals, guitars and crowd are heard up front in the mix in “She Loves You”.

McCartney is in fine form with his defined bass lines on “Till There Was You” which also featured stellar guitar(s). The crowd, thankfully, was mostly in the backround to help appreciate this gem. The guitars, bass and vocals were, again, up front in the mix on “Roll Over Beethoven”. McCartney, afterwards, implores the raucous crowd just prior to “Can’t Buy Me Love”: “We’d like you to join in if you would…Do that all through the song”. The percussion from Nichol can finally be heard with “This Boy”, a ballad featuring quite defined and pronounced bass. Lennon is howling to the extreme in blues like fashion on “Twist And Shout” while Nichol can be heard once again. McCartney states: “Thank you. We’d like to finish off…” as his voice cracks and they break into “Long Tall Sally” with Nichol heard again throughout the track. The announcer comments in the Outro: “The Beatles. Let’s hear it. Please stay where you are. Let’s hear it for them…Even though you didn’t do what I said, it was marvelous anyway…”

Disc Two begins with the June 17, 1964 early Melbourne show. The crowd was wild and hysterical. A full band sound was heard for “I Saw Her Standing There” with the bass and drums, especially the drums, up front in the mix. Welcome back Ringo! The instrumentation is clear, the bass is defined and the crowd is at a constant ear-splitting fever pitch on “All My Loving”. The guitars are way up front in the mix on “Can’t Buy Me Love”. Prior to “Long Tall Sally”, McCartney says: “For all of us, it’s really good to have Ringo back”. There was a cut with no “Long Tall Sally” here.

The June 17, 1964 late Melbourne show began with the Intro: “Ladies and gentlemen, the biggest attraction in the whole world, THE BEATLES!” The harmonies stood out on “You Can’t Do That” with Harrison letting it out on guitar and complemented with Ringo’s steady beat. A jangled sounding guitar with a strong rhythm section in tow was captured along with Harrison’s perfect harmony complementing “All My Loving”. It was wonderful to also hear the lavish instrumentation and exquisite touch by Ringo elevating the relaxed + infectious mood on “Till There Was You”. Harrison’s guitar was piercing throughout “Can’t Buy Me Love” with Ringo’s incessant drumming out of control + filling the grooves of a very interesting + compelling version of “Can’t Buy Me Love”. Great harmonies are featured on “This Boy”. The band literally tears into “Twist And Shout” offering a ferocious rock and roll fueled engine that roared and wouldn’t quit. Prior to “Long Tall Sally”, McCartney said: “One more thing. It’s all very nice for us to have back with us, Ringo”.

The June 18 - 20, 1964 Sydney concerts are offered here in the shortest of snippets. Both “I Saw Her Standing There” and “You Can’t Do That” fade out almost as quickly as they start in decent audience sound.

Disc Two closes with the June 17, 1964 late Melbourne Video Mix. We get a fade in to “I Saw Her Standing There” and a fade out of “Till There Was You” after 8 seconds. “Roll Over Beethoven” lasts about 1:17 and then fades into “Can’t Buy Me Love”. “This Boy” is skipped. Nothing really special here with the truncated Video Mix.

I did compare The Beatles/”Australian Tour 1964″ on Yellow Dog [YD 070/071] with the above Purple Chick release for the June 17, 1964 early and late shows and found no discernible difference in the fidelity for the early show. However, there is more gain and punch with the first in- line transfer of PC-164 as compared to YD 071 and YD 071 also sounds a bit constricted with a tunnel like reproduction confirming Purple Chick’s hand in providing some of their patented sonic magic. The above Purple Chick 2 CD release comes with thick + tasteful informative inserts and offers a wonderful chronological capsule of the Beatles June 1964 Australian performances in primarily an excellent, captivating and exciting sounding format that comes with high recommendations.

http://www.collectorsmusicreviews.com/beatles/beatles-adelaide-reaction-purple-chick-pc...

Еще не вышло, но анонсируется, что скоро!

Revolution Take.... Your Knickers Off! (HMC06)

Disc 1:
1. Revolution #1 (11:32)
2. Revolution
3. Across The Universe
4. Dear Prudence
5. Julia (instrumental)
6. Julia
7. Julia
8-15. Step Inside Love

Disc 2:
1-21. Come and Get It (takes 1-26)
22-31. No Escaping Your Love (takes 1-11)

John Lennon At Home (HMC08)

Disc 1 (Guitar Demos):

1. Watching The Wheels
2. Knocking On Dylan's Door
3. It Sounds Like a Ballad To Me
4. More Satire
5. Lebenstraum
6. French Song
7. Serve Yourself
8. She'll Be Comin' Round The Mountain
9. Dear Yoko
10. I'm Stepping Out
11. I Don't Wanna Face It
12. Borrowed Time
13. Beautiful Boy
14. Grow Old With Me
15. Starting Over
16. Woman
17. Say It Again
18. Nobody Told Me
19. Nobody Told Me
20. Nobody Told Me
21. I'm Losing You
22. I Ain't Got Time

Disc 2 (piano demos):
1. Grow Old With Me
2. Help Me To Help Myself
3. I Don't Wanna Sleep Alone
4. Now And Then
5. Cleanup Time
6. Watching The Wheels
7. Serve Yourself
8. Memories / Cathy's Clown
9. Real Love
10. She's a Friend of Dorothy
11. Starting Over
12. I'm Losing You
13. I'm Stepping Out
14. Don't Be Afraid
15. Why Must We Be Alone
16. Solitude

Осенью этого года у нас в городе появилась целая серия битловских бутлегов на виниле ( на фирме Свингин Пиг): Альтернативный "Лет ит би", Альтернативный "Эбби Роуд" т.д. Я видел почти всю альтернативную дискографию, кроме пары альбомов. Все - двойники, кроме "Плиз Плиз Ми". Белый альбом - аж тройник. Хотелось бы узнать мнение уважаемых знатоков и коллекционеров об этой серии.

Andrey, где можно почитать про бутлег "Revolution Take.... Your Knickers Off!"?
Список песен поражает воображение :-)

2Рон:
Swingin' Pig - древний бутлежный лэйбл, скорее всего - не новинки? Можете посмотреть, указать номера и год выпуска винила?

2Sleepwalker:
>Andrey, где можно почитать про бутлег "Revolution
>Take.... Your Knickers Off!"?
>Список песен поражает воображение :-)

Поражает - это точно (кстати, бутлег Леннона - тоже "не так прост", не просто очередная компиляция давно отбутлеженного материала). Надеюсь, все это не профанация, хотя заранее "обвинять" в этом HMC было бы неверно - сколько уже отличных новинок за последние годы они подняли в массы!..
Но вот про то, где почитать, дам ссылки, но достоверной информации пока нет - бутлег еще не вышел:

http://www.bootlegzone.com/phpBB3/viewtopic.php?f=1&t=22215
http://dsulpy.proboards101.com/index.cgi?action=display&board=doug&thread=2898&page=1

интересно послушать следующие треки:
No Escaping Your Love (takes 1-11), вообще что это за песня????
Revolution #1 (11:32), надеюсь без трёпа Йоки???

2Стас:
>No Escaping Your Love (takes 1-11), вообще что
>это за песня????

это Badfinger (или даже немного ранее - The Iveys).

>Revolution
>#1 (11:32), надеюсь без трёпа Йоки???

Думаю, нельзя на это рассчитывать. Вроде там все длинные тейки с трепом :).