Paul McCartney U.S. tour 2005!

отличная песня... пожалуй, одна из моих самых любимых..

Это сообщение было перемещено из темы "I'll get you".

Sweet Little Queen XIII, спасбо за инфо! Очень милая фотография! :))

Please Please Me (from Miami show)

https://www.beatles.ru/down.asp?id=497

Не целиком песня в клипчике, да и качеством он — форменный мизерабль... Однако ж небезынтересно. На губной гармошечке жжОт Викс, еси кто сомневался.
Кстати, видеоряд на экранчиках — форменный мозгоснос, да...

;)

А вот так ой монтажик из этой (телефонной?) съемки сделали ребята на Macca-Central'е. Кусочки нескольких песенок с шоу в Майами.

https://www.beatles.ru/down.asp?id=498

(видео убогого качества, если кто не понял, зато свежо и забавно)

Ники, !!!!!!!!!

Ники !!!!!!!!!!!!

Вызывали? ;)

Информация по саундчеку в Филадельфии. Было сыграно: All My Loving, Lady Madonna, Coming Up, A Fine Line, Friends to Go, Matchbox, Celebration, Honey Don't, Midnight Special, C Moon, Anyway and more

Особо интересно Friends To Go. Судя по всему, с группой сыграно-то было...

A Brazilian channel hs just showed bits of 2 songs from paul's 2005 tour: ''Magical Mystery Tour'' and ''Flaming Pie''.

http://www.bootlegzone.com/phpBB2/viewtopic.php?t=6454

Sir Paul fresh after Long and Winding Road
By Sarah Rodman/ Music Review
Tuesday, September 27, 2005 - Updated: 03:09 AM EST

Beatlemania is alive and well.

Last night, the sold-out crowd at the first of Sir Paul McCartney's shows at the TD Banknorth Garden were whipped into a face holding, throat shredding, foot stomping frenzy.

What was even more impressive was that McCartney deserved the acclaim. At 63, the good-natured Liverpudlian is still cute and, more importantly, still a solid showman.

In a well-structured, two-hour and 45-minute performance, he managed to give the crowd what they wanted – hits, hits and more Beatles hits – and sneaked in some of the best tracks from his new album, ``Chaos and Creation in the Backyard.''

Of course, when you have a catalog like his to work with and a setlist that begins with ``Magical Mystery Tour'' and concludes with ``The End,'' you're already pretty much ahead of the game. Throw in a couple of bandmembers who are as easy on the eyes as they are gifted, the monster drumming and singing of Abe Laboriel Jr., the majestic keyboards of Paul ``Wix'' Wickens and a brilliant yet simple stage set made up of multifaceted video screens, and the show practically plays itself.

It's not just the sheer, almost impossible durability of songs such as the exquisite ``Eleanor Rigby'' – done note perfectly last night – or the anything-is-possible jubilance of ``Good Day Sunshine'' or the gorgeous anguish of ``For No One.'' It's the genuine warmth McCartney still injects into his songs after all these years that make them more than rote exercises in nostalgia. Even without fancy reinvention, they remain living things. (With the notable exception of the charity concert warhorse ``Hey Jude'' with its interminable, supposed to be fun but really just endless ``na-na-na'' coda.)

Early highs included the cheery cha cha cha of ``Til There Was You'' and the autumnal melancholy of ``The Long and Winding Road.''

It was ``Band on the Run,'' however, that kicked the show up several notches.

Up to that point, every hair of the show had been in place. The sound was good, the set elegant and sleek, the players precise and the crowd responding enthusiastically. But there was just something in the lift of ``Band on the Run,'' some magical dust in the symphonic build up that made it feel like the whole of the Garden turned a corner and fell into the sun all together. ``Back in the U.S.S.R.'' sizzled with surfer cool. ``Penny Lane'' shone with all its baroque charms. ``Live and Let Die'' rocked. ``Let it Be'' was a study in grace.

Sir Mick and the Rolling Stones may have been cooler, and Sir Elton John may have played longer, but Sir Paul McCartney proved once again that nothing beats a Beatle.

http://theedge.bostonherald.com/musicNews/view.bg?articleid=104399

McCartney in Philadelphia

Rock 'n' roll is a sexy, swaggering creature that injects the hard-core emotions of love; it makes you feel a little dangerous and a little threatened.

After playing as the ''safe'' act at the last SuperBowl, one can't help but wonder if the Paul we knew and loved — Paul the Beatle — is past his prime. Is Paul dead?

Two notes into ''Magical Mystery Tour,'' the first song of McCartney's Thursday night concert at Philly's Wachovia Center, it's clear that The Beatles frontman is alive, rocking and relevant.

On a stage of TV monitors projecting trippy video, he was the only thing to watch as he brilliantly delivered three hours of musical memories.

The ''US'' tour promoting his new solo album, ''Chaos and Creation in the Backyard'' — an understated yet effective effort reminiscent of latter-day Beatles — seemlessly blended favorites with new and old material. And the audience followed their gracious leader the entire time.

From Wing-man to Quarryman, McCartney showed he still has fun in the biz by ripping through ''Jet'' before switching to the pre-Beatles band tune ''Oh, Yeah.'' He toyed with the audience with four false endings to ''Follow the Sun'' and switched to crooner mode with ''Til There Was You,'' the smooth song the Beatle boys played at cabarets in the early days.

On a piano, he turned out new goodies ''Jenny Wren'' and the playful ''English Tea.'' He wasn't alone; even when his band left for breaks, Lennon and Harrison were there in energizing Fab Four faves.

''Hey, Jude,'' ''Eleanor Rigby,'' ''Penny Lane,'' ''Back in the U.S.S.R.'' Even jaded listeners could feel the magic as cell phones were held up for loved ones to join in on the moment.

Like a visiting friend, Sir Paul chatted, shared stories, and took time to comment on fan signs. He rocked but also brought warmth.

Of the two encores, he killed with ''Sergeant Pepper'' and tenderized the audience by bringing up kids from the audience dressed in the Pepper outfits. Finally, McCartney treated masses with the explosive — literally — rendition of ''Live and Let Die'' complete with the crazy and classic rock spectacle requirement of fire, sparks and colored flames.

Sir Paul rocked and rolled. He may not swagger quite as much or make us feel dangerous, but he is loved. No, Paul definitely isn't dead.

Aaron Sagers

http://www.mcall.com/features/all-mccartneysep24,0,5751218.story?track=mostemailedlink

Хм. Олимпийские кольца?

;)

Леннон и дети. В смысле, Маккартни и чилдрен.

;)

...Ну а если кто не понял, чей концерт был...

Кстати, три фотографии вытащены из топика на одном из форумов забугорных, где народ живо обсуждал различные способы проноса фото- и аудиозаписывающей аппаратуры. Для девочек в основном, причем. И приводили, собственно, фотодоказательства. Не девочек с их укромными местами, нет.

копия билета на шоу Пола В NYC -MSG. 2 октября 2005

2Cloud9

2Cloud9:
>копия билета на шоу Пола В NYC -MSG. 2 октября 2005

ВТОРОГО октября? ;-)

Дык, что, удалось взять билеты на два концерта? Вроде пролетала тут уже копия билета на 1-е.

Ййё! Первое-то уже на носу. Cloud9, с нетерпением ждём отзывов.

билет на 2-е октября у моего друга.
просто решил показать дизайн билета.
а отчёт будет!

На данный момент появились audience записи концертов в Филадельфии (23.09) и в Бостоне (26.09).
Про Филадельфию пока не известно ничего. Про запись в Бостоне известно, что In Spite Of All The Danger обрывается после 14-ой сек., I Will пропущена, Jenny Wren - не с начала, Too Many People имеет провалы.

2Andrey:

>На данный момент появились audience записи концертов
>в Филадельфии (23.09) и в Бостоне (26.09).
>Про Филадельфию пока не известно ничего. Про
>запись в Бостоне известно, что In Spite Of All
>The Danger обрывается после 14-ой сек., I Will
>пропущена, Jenny Wren - не с начала, Too Many
>People имеет провалы.

Здорово!