Фотографии периода записи альбома "RAM"

CBS STUDIO

The church's sacristy was also converted into Studio D, a tiny, intimate room where I recorded Tom Rush's vocal and guitar tracks along with Duke Bardwell's bass guitar (Old Man's Song and Children's Song) for his first Columbia album and many more hours experimenting on the Moog synthesizer with John Cale of Velvet Underground for the Vintage Violence album. Paul McCartney performed 90 takes on his vocal for "Monkberry Moon Delight" from his Ram album in Studio D in '71.
(He wanted to get that raspy sound, uh, and he did!).

http://www.reevesaudio.com/vintagesessions.html

Great moments in CBS recording history, for me anyway:
Paul & Linda and the kids during the making of the really great
RAM album in '71

Интересно, в этот ли день, что на фотке Пол записал 90 дублей "Монкберри Мун Дилайта", решив сорвать до хрипоты голос...

DENNY SEIWELL

http://www.eirikwangberg.com/photos/photos.html

Сайт звукооператора Эйрика Norwegian-а Уангберга, работавшего над альбомом вместе с Полом..

Paul and Eirik during the recording of "RAM"
Photo: Linda McCartney

"Smile Away,

Smile Away.."

"Linda! Please don't take pictures now - I am concentrating!"
Recording "RAM" at Sound Recorders Studio in Hollywood, 1971

RAM promo "Another Day"

RAM: "Now hear this" - Paul and Eirik
Photo: Linda McCartney
Artwork: Eirik Wangberg

Eirik with Paul and Linda #II

RAM: "Hands Across the Water.."
Photo: Linda McCartney
Artwork: Eirik Wangberg

RAM: "Monkberry Moon Delight"
Photo: Linda McCartney
Artwork: Eirik Wangberg

У Эрика Вангберга, определенно, талант портить фотографии в Фотошопе

Прозвище "Норвежец" Эйрик получил именно от Пола и именно во время работы над РЭМом..

Неиспорченный оригинал...

Rode All Night


-One afternoon after the sessions stopped, Paul and Linda took off to a deli for a bite to eat. The session guitarist left for the day as well and Seiwell started breaking down his kit thinking the day's work was finished. At that point Paul strolled back in, asked Denny what he was doing and said he had something he wanted to work on. Paul strapped on the Gibson Firebird guitar and started tearing through Rode All Night.

By the time the engineer caught up with the duo and pressed record they were already on take 2. Denny later commented, "If you think the version you hear is rockin', that first take was balls to the wall rock -n- roll!" Years later Rode All Night formed part of another McCartney song entitled Giddy which Roger Daltry recorded and released.
http://webpages.charter.net/ram71/mrs.htm

Собстно, это ответ на вопрос Васи битломана по поводу песни и хронологии записи

http://webpages.charter.net/ram71/

сайт Половской студийной хронологии. Точнее его попытка.