Tom Petty

2stvol:

>Хорошая коробка, Королева. И теперь она у нас
>есть, да!
>А на торрентсе оба фильма лежат.

и сколько стоит эта радость? спрашиваю безо всякой иронии, Петти очень люблю еще с 80-х годов и уверен, что подборка там отличная.

2dannymass:
80 евро с амазонской доставкой.

На официальном сайте можно послушать песню с нового альбома
http://www.tompetty.com/news/title/listen-to-good-enough

Tom Petty and The Heartbreakers Announce 2010 North American Tour and New Album, Mojo

MOJO IS THE FIRST NEW TOM PETTY AND THE HEARTBREAKERS ALBUM IN 8 YEARS

TICKETS GO ON SALE BEGINNING MARCH 8
LOS ANGELES, Feb. 25 /PRNewswire/ -- TOM PETTY & THE HEARTBREAKERS today announced their 2010 North American tour and the upcoming release of Mojo, their first studio album in eight years, set for release on Reprise Records this spring. The North American tour, produced by Live Nation, will take the band through a mix of top arenas and amphitheaters across the US and Canada beginning May 6th in Raleigh, NC. Tickets go on sale beginning Monday, March 8 at LiveNation.com.

Special guest artists on the tour will include a mix of appearances by My Morning Jacket, Crosby, Stills and Nash, Joe Cocker, ZZ Top, and Drive-By Truckers.

All 2010 Tour tickets purchased online will include an MP3 download of every track on the Heartbreakers' electrifying new album, Mojo. It will work like this; once fans purchase tickets online they will receive an email with codes entitling them to download two tracks from Mojo ("First Flash Of Freedom" and "Good Enough.") Then, on the release date of the album, currently slated for this spring, ticket buyers will be sent a download of the entire album. Also included with every online ticket purchase, to be delivered at the end of the 2010 tour, will be a selection of live tracks recorded during the tour.

Mojo is a fiery statement from a band that is making some of their most exciting music over three decades into their career. "Good Enough" from the new album is now available for streaming at the revamped TOMPETTY.com. More details on the new album to follow soon.

Tom Petty and The Heartbreakers were inducted into the Rock and Roll Hall of Fame in 2002, their first year of eligibility, and in recent years have continued to build on their already legendary success. The band's sold-out 2008 tour was the biggest of their career and came right after the band's acclaimed Super Bowl XLII halftime performance with a worldwide audience of nearly a billion people. The 2009 release of Tom Petty and The Heartbreakers' career spanning Live Anthology garnered glowing reviews including a rave four and a half stars from Rolling Stone. The 2007 release of the Peter Bogdanovich-directed documentary Runnin' Down A Dream earned a Grammy award and established the Heartbreakers' story as a striking embodiment of the American Dream.

TOM PETTY AND THE HEARTBREAKERS released their debut album in 1976. They have since sold more than 60 million records. Between the Heartbreakers' recordings and his solo work, Tom Petty has received 18 Grammy nominations and been honored with lifetime achievement awards including Billboard's Century Award, MTV's Video Vanguard Award, and induction into the Rock and Roll Hall of Fame. Tom Petty, with the Heartbreakers at his side, has become a rock and roll icon lauded by fellow musicians and music lovers worldwide. Tom Petty's Sirius/XM radio show, Tom Petty's Buried Treasure, is one of the most beloved and popular shows on satellite radio. It features Tom Petty spinning favorite tunes from his extensive private music collection.

Новый альбом - в продаже!

Пардон, забыл перевернуть...

Сижу вот и слушаю его сейчас - лепота!

В mp3-256 уже появился здесь
http://rutracker.org/forum/viewtopic.php?t=3004780

ГОЛОСУЕМ за песню I Should Have Known It на сайте http://www.roks.ru/index.php?chapter=hittop&action=vote

ух ты!надо качать свежую работу

За прошлуюнеделю песня заняла 11 место. Не забудте проголосвоать на этой неделе!
ГОЛОСУЕМ за песню I Should Have Known It на сайте http://www.roks.ru/index.php?chapter=hittop&action=vote

НА фото - интервью Тома Петти журналу Rolling Stone (июнь 2010)

хороший альбом -мне понравился

ГОЛОСУЕМ за песню I Should Have Known It на сайте http://www.roks.ru/index.php?chapter=hittop&action=vote
За вторую неделю песня заняла 4 место. (На прошлой неделе было 11

Послушал последний альбом Mojo, что-то ни одна песня не зацепила. Такое впервые у меня с альбомами Тома Петти.

2Sweet Little Queen XIII:

> НА фото - интервью Тома Петти журналу Rolling
>Stone (июнь 2010)

чем то на Джорджа стал похож :)

За четвертую неделю песня с 6 места поднялась на 3!.
Не забудьте проголосовать на этой неделе!
ГОЛОСУЕМ за песню I Should Have Known It на сайте http://www.roks.ru/index.php?chapter=hittop&action=vote

Five questions with Mike Campbell, guitarist for the Heartbreakers

By MARTIN BANDYKE
FREE PRESS SPECIAL WRITER

"A delicate beast." That's how Mike Campbell describes being in a rock band. "The slightest thing can derail you," says the guitarist for Tom Petty's Heartbreakers. "Ego, a woman or money can trip you up, but with us, it's the love of the music that is bigger than all of us." A founding member of the Heartbreakers, Campbell can shred paint with his instrument when he needs to, but he always serves a song's needs first. His tasteful and economical playing has led to recording gigs with the likes of Johnny Cash, Bob Dylan, Warren Zevon and Roy Orbison.

Talking to the Free Press by phone from his home in Woodland Hills, Calif., Campbell spoke about the mojo that went into "Mojo," the powerful new album from Tom Petty and the Heartbreakers. Still going strong after forming in the mid-'70s, the group performs tonight at the Palace of Auburn Hills.

QUESTION: Why was this year the right time for Tom Petty and the Heartbreakers to record "Mojo," your first studio effort in almost eight years?

ANSWER: That's a good question. We didn't realize that it had been so long. It kind of grew out of doing this (documentary) film "Runnin' Down a Dream" with director Peter Bogdanovich, which took up time. Then we did a little Mudcrutch album with our original (pre-Heartbreakers) band, then our (four-CD) "Live Anthology," and that took us quite a bit of time to go through the tapes. Tom and I came to a new appreciation about how good this band is and wanted to record an album featuring the band without all the production bells and whistles. We're so excited about how it came out.

Q: What did you do to make this album sound as great as it does?

A: We didn't want to go into a studio; we wanted to do it informally. The setup was the same as what we did for the Mudcrutch album. We have a warehouse in the San Fernando Valley and used the same process on both albums. We set up on the floor with no headphones and all in the same room. It didn't take long to make. We started out with Tom coming in with (the songs) "First Flash of Freedom" and "Jefferson Jericho Blues," and those ended up great. So he kept coming in with another one, then another one.

We typically recorded the songs in one or two takes and then moved on; there was little fussing about with it. The vocals were done for the most part live with the band. Sometimes Tom would come up with a better lyric and would drop (overdub) those in, and when I hit the odd clam (bad note) on the guitar, I'd come in and fix it. But there was very little fixing needed because the band is so good. Basically, there are 2% drop-ins here and there; the other 98% is us playing live.

We didn't want to do it the Pro Tools, cut-and-paste, Auto-Tuning way; we got rid of all that. What a concept! The band is really, really tight right now, and it's the best we've ever sounded.

Q: You had a hand in cowriting some of the strongest material on "Mojo," including that soulful track "First Flash of Freedom." How did that one come together?

A: It's a rhythm we haven't used before, a 6/8 shuffle, sort of a jazzy-bluesy kind of swing thing. That came out of a piece of music I had for quite a while. I did a demo of it for Tom. He put a chorus bit in the middle and turned it into a pretty good song. That song, and really the whole album, gets its sound from this guitar I bought -- a '59 Les Paul. I've always wanted one, but it's taken me so long because only 600 were originally made -- and around 100 of those have been destroyed or lost. There's something magical about that sound; it's what Eric Clapton, Jimmy Page and Peter Green used in the early days. A friend of mine who sells vintage guitars called me and told me he wanted to buy a house and was willing to part with his Les Paul. I paid half now and will pay the rest after the tour. It's a really beautiful instrument I fell in love with. The guitar's tones lead you into that style and really inspired the album.

Q: The album's first single, "I Should Have Known It," has a very cool, Led Zeppelin-ish swagger to it. What's the story behind that one?

A: We had already done most of the album and it sounded really good. But Tom wanted one more song -- something epic, with a good guitar riff up front. I worked this one up with that in mind. Tom loved it, and it made the album at the last second.

Q: You worked with Bob Dylan on his latest album of new songs, "Together Through Life," and were also in the studio with Johnny Cash on his amazing, late-career albums. What was it like working with them?

A: Tom Petty and the Heartbreakers toured with Bob back in the '90s, and it was so much fun to record with him. I got the call to come in and play on the album, and the sessions were very spontaneous. A lot was done live with few mics on the band. He's just brilliant; he starts with a rough idea, then we all start playing and mold it into a song.

I first met Johnny Cash while the Heartbreakers were in Copenhagen on tour in Europe. He was touring with the Highwaymen (which included Cash, Waylon Jennings, Kris Kristofferson and Willie Nelson). I went up to meet him and said hi and told him my dad played his records. It created a little bit of a friendship, and eventually he asked if I would come down to work with him. It was a chance of a lifetime to be around that man. He was an inspiring artist, kind and generous, and I'm appreciative of our time together.

http://www.freep.com/article/20100722/ENT04/7220315/1322/Five-questions-with-Mike-Campb...

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зацепил меня альбомчик последний-частенько слушаю

Вторую неделю - 4 место

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2Sweet Little Queen XIII:

В очередной раз спасибо за напоминание! каждый раз голосую, хотя, если честно, далеко не самая моя любимая песня с Mojo

Очень хооршая история.

When Heartbreaker Mike Campbell met a young fan, he didn't just string him along

By Griffin Black
Special to The Washington Post
Saturday, August 14, 2010

It's not always easy being a classic rock fan while my friends are listening to rap and hip-hop, but I'll take bluesy guitar riffs and meaningful lyrics over synthesizers any day.

I guess I should explain myself a little bit. I am 14, I live in Virginia and I love to play guitar. My interest in guitar is why I enjoy listening to Jimi Hendrix, Eric Clapton, Jeff Beck and Stevie Ray Vaughan more than more recent artists.

I have left out one key band in this list of legends, however. I'm not just a rock fan, I'm a Tom Petty and the Heartbreakers fan.

In January, having never seen the Heartbreakers play in person, I was enjoying YouTube videos of past performances while saying to myself, "Please don't retire! Just one more tour!" Then I stumbled upon a video labeled "Mike Campbell (All the best Bits!)." Campbell is the lead guitar player for Tom Petty and the Heartbreakers, and in this video, which was obviously from 20 or so years ago, he walked out onstage with a brilliant red '60s Fender Telecaster around his neck. It was unlike any guitar I had ever seen. It had three pickups, where there should only be two, and a shiny whammy bar.

I wanted to learn more about this guitar, but found little. I did, however, find a video of Mike playing the guitar in the video for "Refugee" (my all-time favorite) and the guitar was called "Red Dog." It was used on the band's breakthrough album, "Damn the Torpedoes," so I had to have it. But how could I get hold of a guitar like that? It had obviously been modified several times and was not a standard Fender model. I had never built a guitar before, but I decided to build my own Red Dog.

Over the next three months I endured hundreds of eBay searches, many calls to local music stores, constant e-mails to dealers and a slow, sinking feeling in the pit of my wallet. Finally, I got everything I needed on a table: a body, a neck, two Gibson pickups, one Telecaster pickup, a pick guard, a Bigsby B5 tremolo kit and enough wires to supply electricity to my house. Three days later, I no longer had a table of parts. I had Red Dog.

But my story isn't complete; it hasn't even started yet.

An idea slapped me in the face over sushi one night: "What if Mike Campbell signed my guitar?" I had tickets for the band's upcoming tour, and that meant I would see him soon. From that point on, I could settle for nothing less than meeting the master himself. My dad helped me find Tom Petty's manager online. I punched in the number in my cellphone and waited. I quickly asked if the company managed Mike Campbell. The answer: no. DEFEAT. The lady on the phone quickly put me on hold to someone else. I stated the question again. The answer: Yes, we manage all of the Heartbreakers. SUCCESS. I quickly spat out my story, and she seemed impressed, but I knew they heard this sort of thing all the time. I got her e-mail, sent her my information, and nothing happened for a few days.